Showing posts with label Richard Manton. Show all posts
Showing posts with label Richard Manton. Show all posts

Monday, 16 January 2012

The Man With The Golden Rod - the story in two parts

Story from Janus 14.

The Man With The Golden Rod, part one
by Richard Manton

In January 1841, James Miles made headlines for the first time in the Morning Chronicle. When charged with excessive use of birch and cane upon the bare bottoms of girls in his care, the justices laughed the case out of court at Rochester sessions. Mr Miles went on from strength to strength, supported by disciplinarians, press, and the justices — traditionally allowed to come and watch girls under the birch. As late as 1897, his colleague, the Rev Marshall Vine, supported such disciplinary zeal. It was still customary to give 36-stroke birchings in reformatory institutions, Vine insisted. 'And I have done so,' he added proudly in his evidence to the Parliamentary Committee.

In our own time there is a groundswell of opinion, in the polls and in parliament, which favours the return of judicial chastisement. What would it be like? How would the system work? Is it quite as edifying as its supporters suggest? Perhaps before we give it our resolute support we should go back in time and recreate a day in the life of James Miles...


WOULD YOU change jobs with James Miles? Mr Miles was a real man with a real problem, a dedicated upholder of law and order in the England of our great-grand-fathers. Look on the bright side first of all. His job carried a reasonable salary of about £15,000 a year in modern terms. One of the perks was a fine house at Hoo near Rochester with servants and transport provided, not to mention a good kitchen and cellar.

Perhaps you might be put off by noticing that the pleasant house and grounds were surrounded by a high wall to keep snoopers out and to keep the delinquent young ladies inside. As the notice board by the porter's lodge would inform you, this was a very old-fashioned reformatory and James Miles was the master. All his care and trouble was expended on the 50 or 60 pretty miscreants in his charge. Nowadays some of them would have graced the upper forms of a comprehensive school but there were others whose ages ranged (in the case of Phyllis Blake) up to 29!

Before you refuse outright to have anything to do with such a post, rest assured that you will be supported by a willing staff of burly matrons, more than enough to deal with any rebellion among the girls. Look more carefully at the conditions of employment and at the girls. On any given day there will be several of them who will wince and draw breath sharply as they sit gingerly on those hard reformatory chairs. Do you wonder why? Perhaps you notice in the conditions of employment that there is a weekly retainer paid to you for inflicting chastisement. The going rate in the 19th century was ten shillings, which 150 years later would be over £20. Also, as Ronald Pearsall shows in Night's Black Angels, there was payment of half a crown — £6 or £7 in the 1980s — for many a whipping, birching, or caning given.

Are you worried at the cost of all the equipment needed in this new profession? Have no fear. As Mr Pearsall records, there were also 'out of pocket expenses' for such items as canes, birch-rods and whips which would get worn out by constant use.

Perhaps you might simply envy James Miles his prestige? His early achievements were reported in the Morning Chronicle and his powers of chastisement were the subject of an editorial in the Britannia newspaper. With lips pursed and birch raised over some recalcitrant reformatory beauty, he represented the might and majesty of the Law. His story found a place in fiction, as well as folklore, in Ron Rich's The First Victorian. Only the French — whom every decent Englishman of the day despised — suggested that the disciplinarians were having the time of their lives. Small wonder that books like Etudes sur la Flagellation, which blew the gaff on Miles and his kind, were rigorously banned in England. 'Le Vice Anglais' was how they described it in Paris.

The truth is that if James Miles fails to send you rushing out to join STOPP, then STOPP will probably have to manage without you.

Perhaps you would want to spend a day as James Miles before committing yourself either way. The morning's labours must begin after breakfast, for there are so many defaulters to be dealt with. You retire to your sunlit study overlooking the garden and await the first tap on the door.

Is it a coincidence that the first delinquent who comes in is also one of the most beautiful in your care? Why is it that the ugly ones never seem to incur so much retribution? In this case, Judith is quite a tall and graceful girl of 16. The light brown hair is worn in a sweep from her high crown to her shoulders framing the pale oval of her face with its clear fair-skinned features and hazel eyes.

You instruct her to lay her skirt on the chair and to present herself in stockings and tight cotton drawers. In this state you discover that she is not only quite tall but has long elegant legs which any glamour girl or beauty queen would envy. Pulling yourself together, you instruct her to lay her knickers on the same chair. Then Judith must face the chair and bend over it tightly with her hands on the seat.

Just before you attend to her there is some reformatory business to be done. You sit at your desk, quill pen in hand. Two or three feet in front of you is Judith's rear view. The long light brown hair has been braided into a pair of plaits to prevent it spilling forward as she stoops. From the rear you view the long graceful legs and seat. The black stocking-tops at mid-thigh, the elastic suspender arch at her waist and the suspender straps down each flank conveniently frame the area of interest. Perhaps you permit yourself a quiet smile of anticipation as you sit forward and familiarise yourself with the target.

Predictably, though you sit at your desk for half an hour, like the dedicated public servant that you are, you do not somehow get round to the paperwork.

'Bend over more tightly, Judith,' you say from time to time. 'Even more tightly still! No, don't keep looking round at the cane!'

Judith may be a demure and well-spoken young lady, the stuff of which pupil-teachers and governesses are made. But she has broken the rules and this time it is she who is on the receiving end. You rise and touch the bamboo across the pale oval cheeks of Judith's 16-year-old bottom. No smiles now, for your mouth is set firm and your eyes gleaming.

The sharp impacts of the cane ring out one after another across the nymph-cheeks of Judith's arse. Such a ladylike young backside undergoing so undignified a punishment! The silken whisper of stockings rises as her graceful legs squirm together. One knee jams frantically into the back of the other. The elegant ovals of Judith's bum-cheeks twist aside and there is a wild cry. Not surprising when you view the smarting willow-pattern of bamboo printed in fire on her behind. But you cannot permit such wriggling.

'Want me to take you back to the beginning and start again, Judith? No? Then bend properly. Up on tiptoe, forehead on the chair seat. No need to blush about it...'

So the caning continues. You no doubt pause from time to time to survey your handiwork. Then comes the dread utterance.

'Quite still, Judith! I'm not satisfied with your bottom yet!'

Naturally you are ready for your elevenses after such exertion. Fortified again, you turn to the problem of Sally or Sal. Here is a diminutive hooligan with a shock of henna-tinted hair, a high-boned impudent face with rouge on the cheeks, and dark defiant eyes. She and her two friends have been consigned to the reformatory for breaching the peace in no uncertain manner. Through the quiet middle-class street this pint-sized strumpet went bawling: 'I went out on Saturday night! I got into a fucking fight!' Sal was boasting, by the way, not complaining.

Do not imagine Sally in dress and petticoats. She was one for what Miles's contemporary Arthur Munby called 'working trousers' and what we should probably call jeans. Picture her in a black singlet, let us say, and a pair of tight faded blue jeans which show her sturdy thighs and bulging bottom rolling as she walks. The justices knew at a glance there was only one place for her.

As you escort her ahead of you to the study, you may well stare open-mouthed in anticipation at the swagger of Sally's fat young bottom in those tight jeans or 'working trousers.' In the study itself she has to undo the waist-belt and push her pants down below her knees.

'Lie bottom-upwards over the sofa-cushions, Sally!' you say humorously, exchanging a knowing look with her.

Clearly a fresh cane is called for, one with a vicious spring. And two more cushions under her belly to raise and swell the curve of Sal's seat. As you stand over her, you issue a warning.

'You'll be coming here every morning, Sally, until the matrons are satisfied with your improved conduct.' Then the bamboo whacks across the fat little cheeks of Sally's bottom with a report like a ringmaster's whip. You punish Sal with the cane across the crowns of her buttocks and curb her impudence by applying extremely hard strokes across her lower, softer rear-cheeks. Or so you think. When you dismiss her, she is hardly outside the door before you hear her mutter, 'Fucking old creep!'

It is the work of a moment to open the door and summon her back. The matrons will aid the removal of Sally's pants if required. Kneeling tightly forward over the chair-back this time. Now the banter is obviously on your side.

'Morning and evening, Sally! Until we're absolutely satisfied with you! We're very hard to satisfy here!'

If you have a moment to spare from your labours, you may just catch the shrill sounds of your matrons being very strict indeed with Sal's cronies — Tracey, Mandy and the rest of them — in the adjoining rooms.

What a busy morning it has been! Now there is a stern knock at the door. The chief constable! The magistrates! Ah, you thought it was too good to last! Your foul secret is revealed! You see visions of arrest, public disgrace, and a prison cell! Have no fear. These gentlemen are your very good friends and they have come to lunch.

Nowadays they might be eager to spend lunch discussing the latest right wing proposals for the restoration of birching in the grand manner. In default of this, why not entertain your guests, as James Miles, by showing them your scrap-book. First would come your conditions of appointment — all those extra perks for birching and bambooing recalcitrant young ladies — doing well by doing good.

Then you will want to show them the newspaper clippings of your trial. Your trial? Yes, alas, you were once tried before the justices of nearby Rochester. The courtroom was crowded by the national press. You were front-page news in the Morning Chronicle. A few sanctimonious busybodies decided that you were enjoying your public duties too much. They hauled you before the court for 'cruelty' and 'indecency' in your use of birch and bamboo. Can you imagine such absurdity?

To be quite honest, the case gave you a few nasty moments but you need not have worried. For example, Mr Elwes, the legal brain of the prosecution, condemned you for having teenage girls held down while you thrashed their bare bottoms. The judges dealt with this nonsense in no time at all. As one of the older women insisted, she had never known a girl 'that did not struggle' under the birch. 'Then, gentlemen, I must apologise for introducing the suggestion upon this court,' said Elwes the Legal Eagle in humbler tones. The Morning Chronicle of 7 January 1841 reported him without comment.

You see? You need not have worried after all. The court heard that you once caned the bare bottom of a young woman of 28 while she was lying on her bed. There were girls of more tender years whom you tanned in the Schoolroom. (Ironically the same word was used for the place where girls were whipped in brothels.) The court really did not care.

Rather nervously, the girls began to admit under cross-examination that you were a kindly master. Oh yes? Were they perhaps too scared of the retribution awaiting them if they sank out of tune? More probably they preferred regular meals and an occasional sore bottom to the prospect of starving in the streets. So it was that Sarah Barnes, Charlotte Burton and the rest sang your praises.

The prosecution struggled on gamely, doing its best. You had birched the bare bottoms of girls between the ages of 16 and 28! Yes, yes, thought the judges impatiently. Of course you had. That was what the government paid you to do. Some of the strokes, said the prosecutor solemnly, made the girl scream. Of course, they had, thought the justices. It wouldn't have been a very effective punishment otherwise, would it? But, shrilled the prosecutor, the girls had been held down for their bare bottom discipline! Naturally they had, said the court. If you don't hold them, they wriggle.

So the astonishing trial at Rochester continued with the entire country following the details eagerly over its toast and marmalade next day. How did it end? Well that was truly unforgettable — and you are going to have a lot of fun telling your cronies about it at lunch time. First there was an ill concealed snirt-snirt! chortle-chortle! from one of the well-fed Pickwickian justices. Then the others began to join in. Soon the entire bench of them was rolling about, hooting and roaring till the tears ran down their cheeks. Funny? You bet it was funny!

It really was priceless, you see, to prosecute you for skinning a score of schoolgirl bottoms every week. In modern terms, it was like a tax inspector sending out a final demand and being prosecuted for demanding money with menaces.

So the portly justices laughed the case out of court. Birch the young sluts soundly, Mr Miles! Have the skin off their arses, sir! Go to it, by gad! Not that they uttered these sentiments. Instead they began to shout jokes to one another. The entire case foundered in great farting peals of mirth.

You were acquitted. But what did the country at large think about you? Did they condemn you? Were they indignant that you were being paid to have the time of your life while they slaved away in factory or counting-house? For the benefit of your guests you show them what the Britannia newspaper said about you after your trial. 'Wholly up to him to decide what degree of punishment,' said the Britannia in its editorial upon you. Archibald Sinclair in his 1857 Reminiscences, put more power to your elbow. 'First rate disciplinarian,' wrote Sinclair approvingly, 'never gives less than three dozen.'

Three dozen? Small wonder that the witnesses at your trial and the other delinquent lasses. Charlotte Burton, Sarah Barnes, Elaine Cox, Lisa Screese, and the rest, have the reputation of being the best disciplined girls for miles around.

If any of your guests entertain lingering doubts as to the legality of such punishments — and supposing it is now 1904 and you are a spry 90-year-old — you pull down from the shelves the great legal authority of the day. It is the sixth edition of Sir James Stephen's Digest of the Criminal Law, published that year. There on page eight, under the heading 'Whipping', you will find the ruling that 'the number of strokes and the instrument used are at the discretion of the person by whom the whipping is inflicted.'

True, there are one or two subversive types around who make snide remarks about your conscientious performance of your duties. There is a young man called Havelock Ellit. The foul-minded little cad actually insinuates that you are getting secret sex fun by caning the bare bottoms of Jane, Sally, Susan, Maggie, Judith, Elaine, Jennifer, Helena, Ann, Noreen, Mandy, etc., etc. Have no fear, Ellis's books are being prosecuted by the authorities who denounce him as 'a thoroughly filthy fellow.'

Lunch has restored your energies and you decide on an inspection of the girls at work. How about a stroll down to the stables on this sunny afternoon? There you will find a girl of 19 polishing the display of harness and mopping over the tiles. Though she goes by the newly-fashionable name of Angela, she is known by the reformatory contraction of Ange.

For some time you have had doubts as to whether Ange is pulling her shapely weight. She is a girl with a plumpish figure, well shown off by her singlet and those pale faded blue working-trousers, best described as snug-fitting jeans. She has a soft face, though her nose is pert, blue eyes, and a short razor-trimmed crop of light brown hair.

As you arrive, she is on all fours, mopping over the tiled floor. Prudently she keeps her head lowered to her task, the brown fringe falling over her forehead. The soft outlines of her face, her ears and her smooth young neck are revealed by her short crop. In the warm afternoon the singlet clings to her pale back and breasts. From the waist down one must imagine her full thighs and plump hips sheathed by something like a pair of pale blue jeans. Nowadays, under the tightly strained jeans-seat you would see the elastic outline of Ange's knickers — a pair of stretch-briefs arching up high and tight over each of her bum-cheeks. In those far-off times, they were not worn.

Therefore, you will want to take a long and careful rear view of her as she works on all fours. A few years more and Miss Angela is going to be a decidedly plump-hipped young lady! Just now she suits Victorian taste. A slight weightiness in her thighs draws your attention to her seat. Under the drumskin-tight jeans, Ange's buttocks are robustly full and broad. You inspect the area closely as she toils away self-consciously under your feared gaze. The stout central seam of the jeans-set is drawn deep and taut between the lower fatness of Ange's bottom-cheeks.

Is she really working to your satisfaction? As you study Ange's broad young backside, you are not entirely convinced. Well out of earshot there is the 'apple shed' where windfalls are pressed for cider. The power is provided by a young woman bending over a barrel which stands on its side. She then runs like a sprinter on the spot, working the wooden treadle, under which lie the apples to be pulped. What better exercise for a 19-year-old idler like Ange?

She may not be easily persuaded, but you have your way. So you contemplate Ange, arse-upwards over the barrel. Her softly appealing face is lost from view over the wooden curve and you can scarcely see the razor-trimmed crop of her light brown hair. Yet Ange's plump bottom-cheeks are straining those jeans dangerously tight, and they obsess you. You must not risk them splitting as she runs. The only alternative is to undo the waist and ease them down until they slip off over her ankles. Yes, of course, you will want to pause and study the bare bottom so tantalisingly offered.

The girl obeys you, as of course she must. Her trousers are now off. Then, at your second command, she begins her run, her plump young thighs working energetically. The slight extra sheen of pale flesh on Ange's naked bum-cheeks quivers like smacked jelly as she runs on the spot.

Your own trousers feel uncomfortably tight as you remember the words of Sir James Stephen. Ange's fate is entirely at your discretion. You will not, of course, be barbaric. Yet there lies the birch (three yard-long switches bound at the handle) which came from the Reverend Mr Vine's prison-farm. As you watch Ange, those running thighs and fattened young bum-cheeks, you recall that she was due for a tanning anyway. How convenient! You are entitled to give Ange's young backside the severest birching that even a boys' prison-farm allows.

Ange, of course, twists her face round in blue-eyed alarm and her legs go like pistons.

'A full prison birching across your bare bottom, Angela!' you say, warning her to brace herself for it.

Her protests are gasped and breathless as you measure the birch across the rounding and writhing plumpness of Ange's pale mobile seat-cheeks. Thrash! goes the triple-switched rod across her quivering backside. Thrash! ... Thrash! ... Thrash! ... Thrash! ... THRASH! ... THRASH! ... SWISHHH-THRASH!


What an afternoon this promises to be! Ange's shrillness is making the rafters ring. Bottom upwards over the barrel she is going like a champion, legs pumping up and down at twice the speed. Ange's soft pale buttocks are dancing cheek-to-cheek, and it is as well for her that she cannot twist over on her hip. Thrash! ... Thrash! ... 'Push your behind right out now, Ange! Run faster!' ... Thrash! ... Thrash! ... Thrash! ... Lash! ... Thrash!

Perhaps you feel that all this is too much for 19-year-old Angela. And yet it seems you are wrong. You turn away for a moment to lay down your coat, for you are feeling immensely hot. While your back is turned, Ange's mouth delivers a loud and vulgar raspberry as she runs — surely a deliberate defiance of you? As you turn, she gives a cry as if suddenly terrified by her own brazenness.

'Very well, Angela! You know the rules! We shall commence the discipline again! From the beginning!'

Let us draw a curtain of decorum, as the Victorians themselves might say, over the remaining events of the afternoon in that apple-shed. It will be some while before you emerge and, as for Ange, she may prefer to remain there a time and even shed a tear or two of repentance before she emerges to face the world again.

But you are forgetting something, are you not? All that energy put into birching Ange, as well as caning Judith and Sally, is not merely a disciplinary exercise. It also earns you money. In addition to your £15,000 a year and your £40 a week as chastiser, today's three punishments have earned you some £21 at about £7 a time! It may not be as good as first prize on the premium bonds but it surely is more interesting.

Ah, you are wondering how the authorities know the amount due to you. After all, there are some dishonest fellows about who would claim to have birched half a dozen girls a day when they had done nothing of the sort. Naturally, you could be trusted to do your duty but there are some people, you know...

What could be easier than to tell whether the books are cooked or not? The justices' clerk arrives to pay you the day's dues. He does not need books at all. You call Ange, Sally and Judith.

'Slip your knickers off, Ange, and bend over the back of the chair... Judith, lie bottom-upwards on the sofa... Bend over the desk, Sally! Push your jeans right down!'


The justices' clerk, with eyes laughing and mouth rounded in admiration, can read the accounts exactly where you printed them with willow and bamboo. He cannot draw himself away. There is a favour he would ask. He has some apples for pressing. May be bring them? Is the shed free tomorrow afternoon? Might he borrow Ange? How can you refuse a man who is offering to do your job free?

A sceptical modern reader might begin to wonder about the motives of some Victorian upholders of law and order. The justices laughed prosecutions like that of Mr Miles out of court. But they did better than that. They actually supplied James Miles and his kind with the pretty girls whom he 'reformed' with such loving care. Indeed, the justices were eager to see chastisement enforced. They were even, it seems, prepared to bend the law so that a pretty girl with a shapely bottom might bare it regularly for the rod.

Impossible? Take a look at the tip of the iceberg in Richard Whitmire's Victorian and Edwardian Crime and Punishment. Among the records of Huntingdon gaol, for example, are details of girls sent to the reformatory by justices, sometimes with specified birchings. Julia Ogolthorpe is a pretty dark haired schoolgirl in the photograph on her record-sheet. For stealing a loaf at Grantham, they gave her five years in reformatory where, as they say, she might spend more time bending than sitting.

But surely these worthy gentlemen were only doing their job, weren't they? Take another look at her record. It is made out, announcing her summary conviction, on 5 January 1871. It also gives the date of her trial — which did not take place until 27 January, more than three weeks later. Whoops! The greedy justices wore thus able to choose girls for reformatory discipline for the next five years without waiting for such boring details as the trial, the evidence, and the possibility that Julia Ogolthorpe or Sarah Barnes or Sally Fenton might not be guilty. Of course, when the hearing took place, the justices were both judge and jury so there was no danger of getting the wrong verdict.

Before James Miles was born, Edward Ward in his periodical The London Spy had revealed the eagerness of justices and their cronies to see a good display of birching and whipping upon the bare rears of young women. Some of the girls were in their 20s, others in their early teens, according to Ward. The chairman of the justices sat in the 'judgment seat' with a hammer in his hand. 'A woman was under the lash in the next room, where folding doors were opened so that the whole court might see the punishment inflicted.' Ward watched for a while and then went about his business leaving his judicial friends 'to flog on till the accusers had satisfied their revenge and the spectators their curiosity.' In our own time there are many voices urging the return of such punishments. What did Ward think, after watching them? 'I only conceive it makes many whores,' he said, 'but that it can in no measure reclaim them.'

Next time that the advocates of flogging in our own century hold forth, we might do well to remember Ward's remarks. To strip a girl for whipping, he observed, was the first step in making her a whore. When it was over, she regarded herself as one.

As James Miles, of course, you will not wish to hear such arguments. Your day is too busy. As you may recall, you have already tanned Judith, Sal, and Ange, as well as entertaining the local magistracy to lunch. Now the justices' clerk leaves, making Ange wince by an injudicious slap on her light jeans-cheek. You might almost think your day's labours are at an end. Would it surprise you to know that, for a dedicated public servant like Mr Miles, they have hardly begun?

Story from Janus 15.

The Man With The Golden Rod, part two
by Richard Manton

Writer Richard Manton (the pseudonym of a well-known novellist) continues his recreation of just one day in the life of James Miles, the factual Master of the Hoo Union Workhouse at Rochester, Kent during the 19th century. This compelling, obsessive yet authentic account, closely based on records of the time, takes one deep into the world of workhouse discipline for girls and raises many topical questions relating to right-wing moves to get corporal punishment put back on the statute books. Part one of The Man With The Golden Rod appeared in Janus 14.

WHEN, AS James Miles, you were acquitted at your trial, the justices were clearly on your side. Off you go, they said. Birch those young reformatory trollops long, hard, and often. Did you suspect that the justices had a vested interest in the verdict? No? What a trusting sort of chap you are.

The French revealed the truth in such Edwardian hooks as Etudes sur la Flagellation. England's rulers endeavoured to ban such books by prosecution and persecution. Not surprisingly, since the truth revealed applied to those rulers themselves.

Mr Miles was acquitted, we learn, so that the justices might continue to enjoy the sight of girls birched or caned on the so-called 'justices' nights'. Under a veil of Victorian prudery it was possible to attend an evening of tannings which combined striptease, moral self-righteousness, and sex as a blood-sport.

Nowadays, if the polls are to be believed, a substantial majority in the country would support judicial thrashings. Press reports in the Sun and the Liverpool Daily Post on 13 February 1976 revealed Tory MPs proposal to have girl delinquents judicially whipped 'with a birch, cane or strap'. On 10 November 1977 the Daily Telegraph reported how girls in care in Nottinghamshire were to be dealt with until the age of 17. Misconduct was to be punished by bamboo. 'Canings should be on the bottom,' read the instructions, 'always in front of witnesses.'

Papers like the Telegraph are rightly quick to report such stories prominently, thus warning us of the severities which a return to old-fashioned 'discipline' might involve. Yet, for all their enlightened and humane attitude which this careful concern for the subject doubtless shows, they can scarcely conjure up the scenes which a return to 'the good old days' would involve.

As James Miles you would welcome your guests to an excellent dinner, food and wine on expenses. Afterwards you would all retire to the punishment room — the Red Room as they called it at Hoo — prudently out of earshot of the rest of the buildings.

Picture a long stone-flagged room, gaslight glaring harshly on white-washed walls. The windows are high up and barred. At the centre of the floor stands the fixed square block over which each culprit kneels. Several feet to the rear are leather chairs for the witnesses. They take their places, Mr Miles removes his jacket and rolls up his sleeves. He tests a slender three-foot bamboo. It has a rapier's spring. Like a golfer practising his swing, he cuts the air a few times with a trial swish.

The first delinquent is led in. She is just the rebellious tomboy to make a disciplinarian's fingers itch. Elaine is best described as a shouting, striding youngster. Lank fair hair combed from a central parting lies loose upon her shoulders. Narrow eyes and thin mouth give the broad oval of her face a look of snub-nosed insolence. This sturdy young rebel boasts robust young hips and thighs.

The witnesses catch her defiant gaze with quiet smiles of anticipation, their eyes taking in her strong young legs, grey pleated skirt and white blouse. In modern terms it would be the kind of grey pleated uniform skirt worn short enough to bare Elaine's sturdy young thighs.

Her crime, it seems, was breaking the finger of one of your matrons. Just the offence for which the Tory proposal of 1976 advocates birching or caning girls 'guilty of inflicting bodily harm'. Yet Elaine returns the gaze of the portly middle-aged justices with a look of contempt.

It seems she cares nothing for the impending punishment. Hardly waiting for the order, she sheds her skirt and kneels on all fours over the block. The tight white cotton web of Elaine's knickers show her to be 'quite a big-bottomed girl in this posture'.

Despite more lurid suggestions of Mr Miles's involvement, it will probably be a matron who stoops over the block. Elaine's knickers are pushed down, and then she is positioned with meticulous exactitude. The pro-flogging brigade of our own day — MPs and public — would surely approve of such exhaustive precautions. It is, of course, left to you as James Miles to tuck up the tail of her blouse, well clear of the full pale cheeks of Elaine's bottom. Are you startled as she tosses back her fair hair, cranes round, and treats you to a burst of snub-nosed defiance?


Such girls as this were a puzzle to men like the author of Etudes sur la Flagellation — Jean de Villot. Elaine was facing — or perhaps about-facing — a full judicial thrashing with all the trimmings. Yet by her continued defiance and insolence she seemed determined to do everything in her power to make it worse. Later on we shall have to consider why — but put out of your head any mischievous old-wives' tales about the youngster 'enjoying it'. Next day she would scarcely walk without some discomfort or sit without a wince and a sharp intake of breath. What is so enjoyable about that? A blister on the foot could be more fun.

As James Miles, however, you introduce one more refinement. Elaine must call out the number of each stroke before receiving it. Would our present-day advocates of the birch approve the idea? If the girl fails or refuses to do so, she will get the stroke anyway. But it will not count towards the total of her punishment. By defiance she will merely earn herself more lashes of the cane.

So, as James Miles, you must now take the bamboo in your hand. You announce her sentence formally to the girl and the justices, assuring her in the manner of a bawdy sergeant-major that it will be with the bamboo across bare bum-checks. Then you order her to call out the number of the first stroke.

Now comes the biggest shock of all. The rebellious youngster, in a burst of foul-mouthed, four-lettered defiance, refuses to call out the numbers of the strokes. In case you have not got the message, she yells to the world that you are a bastard, and an effing bastard at that.

Tossing back her fair hair, Elaine cranes round at the witnesses. The broad oval of her snub-nosed face is still suffused with defiance in her narrow eyes and thin mouth. How she curses the well-fed justices. In the privacy of the punishment-room they smile back at her knowingly, showing her their amusement and delight in her predicament. They let her see them sitting forward in their chairs for a close-up of the subject. Mouths pursed and eyes bright, they survey the sturdily broadened cheeks of Elaine's backside in its present posture. Whatever the explanation of her vulgar impudence, she must have known better than to hope for a reprieve later on. When the justices have such a bare-bottomed tomboy over the block, all leniency is forbidden.

So Mr Miles gently and almost teasingly measures the bamboo across the full pale checks of Elaine's young bottom. For all her defiance, the youngster is gnawing at her lower lip apprehensively. Her hands are clenched desperately and her fifth-former's buttocks are tensing and shifting under the menace of the bamboo touch.

With all the time in the world, Mr Miles takes aim. Then, raising the cane, he brings it down with 'an ear-splitting smack' across the full pale cheeks of Elaine's bottom. She gasps at the smart and her bum-cheeks begin to arch and squirm. Mr Miles knows from long experience that the initial smarting impact of the bamboo across Elaine's adolescent behind will swell in intensity to a savage climax several seconds later. Expert that he is, he aims each stroke to coincide with that climax of its predecessor.

Naturally there is an electric tension in the room as the smack! ... whip-smack! of two more uncounted strokes rings out across Elaine's rear cheeks. This is accompanied by a gasping, a wrestling, and the strained creaking of the punishment bench. Surely the rebellious youngster must know as well as the witnesses that she will yell at the top of her voice for the first counted stroke, sooner or later. Only then will the official discipline begin. Incredible though it seems, she is actually trying to add to her punishment while she can still bear to.

To be fair to those who now advocate the return of the birch, they do not suggest flagellations on the Victorian scale. The Tory proposal favours 12 strokes, though the figure 18 has also been mentioned. The danger, of course, is where the punishment routine provides for an increase in the number as a reprisal for misconduct while the tanning itself is actually being given. Elaine's five years in the reformatory, under the old-fashioned law, would probably extend from adolescence to 18. One can well imagine the sort of discipline which the present law-and-order brigade might well want to administer to the bare checks of Elaine's strapping young tomboy bottom during such a period of detention.

Back to Mr Miles in the reformatory punishment-room back to the details which the pro-birchers would prefer you not to know....

After a number of uncounted strokes, the inevitable happens. A sizzling lash of the bamboo causes Elaine's sturdy young buttocks to clench frantically. As the impact swells, she tosses back her fair hair, cranes round at the witnesses in consternation, and yells out, 'One!'

The well-fed justices smile knowingly at this triumph of their power over her adolescent rebellion. The eventual submission of the victim is inevitable, but they prefer it when they have to wait. Mr Miles's mouth is set tight. The bamboo thrashes down with a pistol-crack report across the red cane-prints already branching across Elaine's backside. The sequel is predictable and easily imagined.

'Two! ... Three! ... Fo-o-o-ur! .... FI-I-I-VE! .... SIX! .... Please, not across there again! No! N-O-O-O! .... O-O-O-W! .... My BOTTOM! Oh, please count that one! Ple-e-e-e-ase! .... O-O-W-HOO-HOO-HOOO! .... SEVEN! .... E-E-E-Y-OW! .... OH, NO! NOT THERE AGAIN! .... AHH! .... EIGHT! .... NINE! .... No-o! Not there again! It isn't fair! .... Y-O-O-W! .... TEN!'

Does this sound-track show the unacceptable face of law-and-order? Remember, if the present proposal becomes law, much worse than this will be heard many times a day throughout the land. One can well believe that by this stage of the discipline, the fiery spread of Elaine's bottom-cheeks 'resembled a girl made to sit all day on a cruel thorn-bush infested by angry wasps!' However, those in parliament and the courts who support such proposals have considered all this and have decided that the type of punishment inflicted on Elaine and her kind is OK by them.

The rest of us, however, may wonder about the so-called 'healthy' effect of such reformatory discipline. By this stage of the tanning, Mr Miles is finding the front of his trousers uncomfortably tight. Small wonder that the French suggested he was having 'punishment fun' with Elaine. One can well believe that the lads from the adjoining boys' department would have risked their necks to reach the high barred windows on the outside. The master and justices were perhaps too busy to notice. Yet Elaine, as she craned round with eyes brimming and mouth howling, may have glimpsed the faces at the windows — wide-eyed and open mouthed, the lads' legs squirming to hold themselves high up as they peeped in on the scene. Healthy? Well, it beats jogging on the hard-shoulder.

So before we all go out and vote for the return of the good old system, let us consider some of the things it actually involves. Those who advocate it — without ever having seen it — give the impression that a reformatory tanning would he a clean, decent, thoroughly British occupation. Rather like a game of cricket with birch and rump — six strokes to the over. Stiff upper lip? If anything was stiff in the punishment-room it is not an upper lip.

Victorian hooks and magazines thrived on whippings, sport and imperialism. For instance, Miles was quite entitled to cane a girl like Elaine or Ange after breakfast, and then call her back for a second bambooing across her bare bottom after lunch. Were our ancestors shocked by this? Not a bit, it seems. The Captain, 'A Magazine for Boys and Old Boys', assured its readers that a second tanning an hour or two after the first was merely 'a second innings on a sticky wicket'. How England's upper crust chortled over the joke. One imagines the humour may have been lost on Elaine or Ange or Sal.

To begin with, the language in such chastisements as Elaine's is not at all the sort approved by the Viewers and Listeners Association for family entertainment. A vulgar young tomboy like Elaine, when stung beyond endurance, is apt to use terms you would not find in Jane Austen. After more than a dozen counted swipes of the cane across her bare bottom, even a sturdy youngster like Elaine is frantic from the lingering smart. Then there comes a wickedly-aimed stroke across the tender willow-pattern of bamboo already striping her backside. In a fury of anguish, Elaine twists her face round again, yelling, 'My arse! Oh, you bastards! You bastards!'

We can look forward to a good deal of this, if the new proposals become law. The supporters of official corporal punishment, like those supporting the capital variety, are apt to assure us that their method is quick and clean. That's great, as long as you're not the one who has to clean up afterwards.

The last phases of such a punishment are likely to be extremely undignified. A sturdy impudent adolescent girl, kneeling so tightly forward over the block, is not particularly well-placed to exercise psychological self-control under the cane. After a stroke wicked enough to raise goose-pimples, Elaine's tomboy bottom thrashes in a paroxysm of wild agony, and her lips scream profanities. The snub-nosed rebel turns the broad oval of her face to the witnesses, her mouth forming an 'Ooo!' of dismay at what she has so pitiably shrieked. She knows that such impudence qualifies for extra chastisement. Worse still, as her expression indicates to the judicial amusement of the witnesses, Elaine knows that in her present state the next smarting stroke may very well cause a repetition of her 'insolence', for which vengeance will be duly executed.

Supporters of the rod, of course, are quick to suggest that it would be 'different' nowadays. It's hard to see how. Certainly as one correspondent in the Daily Telegraph ('Caning of girls', 26 January 1976) pointed out, the female bottom would continue to be the target zone. 'After all, decorum has nothing to do with it, since the punishment is to be dished out by mistresses.'

That sounds fine until you read another report in the same newspaper on 25 May 1978, 'Home Office turns blind eye to lesbian warders'. And not just lesbian, in this account, but ladies with a taste for sexual violence. In one of its best exposés ever, the paper revealed how Anita Sasin, aged 22, alleged that she had been the victim of lesbian rape at Styal prison in Cheshire. The Home Office dismissed the allegation with customary smug imperturbability as 'Bizarre and untrue'. Unfortunately for the Home Office, Mrs Wynne Egerton, a senior officer at Styal, had the courage to disclose the true state of affairs in some female prisons. The Prison Department, she announced, 'turns a blind eye and retains in the service, staff who are known to be active lesbians, and even corrupt married women.'

So much for the soothing assurance that reformatory canings would be 'all right now' because girls like Elaine would be tanned by female officers. Just imagine two or three ladies of this ilk standing over the culprit as James Miles did, eager to let off some disciplinary steam. It will all be behind closed doors — and no questions asked afterwards. Even if the questions are asked, the Home Office will be able to tell us that the allegations are bizarre and untrue. Picture the scene, the culprit over the block and a good selection of canes in the rack. Can you imagine what would happen to the strapping young cheeks of Elaine's fifth-form bottom in the next half hour?

For the moment, though, you are still James Miles back in the last century. To Elaine's shrill and frantic protests that she can bear no more, you need only reply that she will be made to bear it away. No need to concern herself over that.

During the rest of the evening you ply the cane with the virtuoso skill of a concert pianist before your guests. Every 20 minutes or so, the door of the Red Room opens. One pretty miscreant leaves, rubbing her behind cheeks tearfully, and another is summoned. Sarah Barnes and Charlotte Burton may have praised your virtues at your trial, but that only makes you the more keen to instill a little virtue into them now. Perhaps you progress all the way up the age-range in your disciplinary zeal, all the way to flighty young women of 27 and 28.

Your guests depart, leaving you weary of arm and damp of brow. Time for a nightcap in your study and a quick count-up of the day's earnings. But, devoted public servant that you are, you cannot rest while duty remains undone. Surely when your time comes there will be a statue to your memory: 'James Miles, erected by the girls of Hoo reformatory'.

You have just recalled a sluttishness of behaviour by an impudent young woman of 25. You summon Jacqueline to your study. Under the short bell of blonde hair and fringe, Jackie has a pale sullen face, blue eyed and heavy jawed. As ordered, she is in white singlet and working-trousers of tight smooth denim. Long legs with trim thighs. The softness of breasts and hips suggests one furtive pregnancy.

You employ her in various casual chores first of all, which involve her in a good deal of bending over with her seat towards you. You decide her fate while pondering, in their skintight denim, the fattish cheeks of blonde Jackie's arse. All her sly attempts to seduce you from your duty fail. You are proof against such things.

Trousers and pants off, Jackie. Kneel on the sofa! Now kneel tightly forward over the padded back. Put your palms on the floor to take your weight. Such a pale plump pair of bottom-cheeks, Jackie! Why, you have escaped discipline far too long. I promise you, miss, my trusty bamboo shall soon alter that sad state of affairs! I shall send the matron in charge of your work a message to inform her that you will not be returning there tonight. In a moment, Jackie, the reformatory cane! Did you not guess it would be that when you were sent for? I do not believe I have ever had the opportunity to acquaint myself so well with your bottom before, Jackie! What a sluttish arrogance you must have showed as a shopgirl. Still, I can well understand why the customers were always asking for trinkets which obliged you to turn your back to the counter and bend to rummage in the lowest shelves! Keep that fat young backside of yours quite still, Jackie! No, don't tighten your seat-cheeks as I measure the bamboo across them. Disobedience will prolong the caning!'

A devoted public servant, it seems, knows no rest. And yet, if the French account is to be believed, there is a curious sequel to your busy day.

One morning, not too long afterwards, a party of girls in singlets and trousers is tending the garden outside your study window. Your desk at which you are working stands in the bay of the window, giving you an excellent view. Elaine is there, tightly clad in white singlet and working-trousers of smooth lavender-blue material which are very, very tight-fitting. The cause of this is partly the broad leather waist-belt drawing them in so narrowly. Also the trousers are really too small for her sturdy hips and seat. Indeed, from the rear, the outline of Elaine's well-filled seat is an almost perfect circle — across the back of her waist, out round the flanks of her hips, and under her buttocks.

As you work at your papers, Elaine takes her place at the flower-bed a few feet beyond the glass. She turns her back to you to begin her allotted task of weeding. You are bound to glance up from your correspondence occasionally at her sturdy adolescent buttocks straining the tight smooth trouser-cloth. Once, at least, she stares back at you over her shoulder, the lank fair hair from its central parting framing the broad oval of her face, the snub nose, narrow eyes, and thin defiant mouth.

Then she bends over to weed. By now you are having real trouble with your correspondence. You look up and there, three feet away, you are confronted by the sturdy thighs, the broadened young cheeks of Elaine Cox's fifth-form bottom once more. No one can truly blame you for leaning forward on your elbows and staring with lips tightly pursed at the view beyond the glass! The impudent tomboy is bending right over and, it seems, deliberately thrusting the spread-cheeked seat of her lavender-blue tight trousers in your face!

Understandably, you do not get round to your correspondence. Your lips are rounded with a sharp intake of breath and your eyes gleam at the smooth seat-cloth drawn splittingly tight as the youngster bends. Vulgarly filled and fattened by this posture are the strapping young cheeks of Elaine's bottom. You hold the paperweight in one hand and polish it vigorously but absent-mindedly. From time to time, the insolent youngster tosses back her fair hair and cranes round at you. She shifts a little but deliberately stays bending to confront you with her broadened young bum-cheeks, all morning long. Under the straining trouser-seat, Elaine's arse-cheeks are wantonly and suggestively parted by her posture.

Yet Elaine is deliberately idling, showing you that she has not pulled up a weed all morning. There can only be one outcome to this. At the end of the session, you summon her for a study-tanning.

'You're really in trouble this time, Elaine,' you say smilingly as you escort her in. The other girls stare aghast at her boldness.

Elaine on the sofa this time, kneeling tightly forward over the scroll at the end. Once again those trousers are beautifully tight over the cheeks of her sturdy young backside. Down come the trousers to her knees with Elaine's pants inside them. The afternoon lies ahead of you, the doors are locked, and no tales will be told afterwards.

Why did Elaine invite such retribution? She certainly did not enjoy the strokes. Mr Miles was the only man in her life, of course, and perhaps this form of undressing was the nearest thing to sex she could get? Perhaps his mind would turn to other things? Alas, there is no evidence that he even thought of it! Perhaps Elaine was angry on another girl's behalf. That might account for one incident but not her general conduct.

The likely truth is so obvious one overlooks it. Elaine was bully of the reformatory — like a gangland boss among humble cons. Instead of constant fights which she would one day lose, she held her authority by taking public discipline which other girls quailed at. Hence the incurring of extra strokes while she could still bear them — in order to display a more battered bottom! Hence the deliberate defiance of the master during the garden detail where other girls could see. She was one of those who, as the Telegraph put it on 15 October 1979, 'bare their weals with pride.' Like another problem pupil described by the same paper on 15 January 1976, Elaine 'enjoyed being caned and went back for more.' Like Mr Miles's fifth-form tomboy, this pupil too 'attacked teachers... disrupted classes, defied all rules.' What seems like incredible behaviour by a reformatory girl was all too credible!

Last of all, let us concede that there may well be a case for the return of judicial caning and birching. But certain questions must first be answered which are carefully not discussed in the press advocating it. In a democracy punishments cannot be restricted to one group. Therefore in a modern Miles reformatory there will, basically, be two types of offender. One is the defiant adolescent tomboy of Elaine's sort. The other — for the law in this area always extends to sexual immorality in the end — will be the promiscuous older woman in her middle or late twenties. For such a female, well-established in her waywardness, no other remedy could be appropriate. My story Lesley: Behind Closed Doors in Janus 13, described the case of one such girl.

If reformatories like James Miles' flourish again, readers of Janus may well be among the applicants to become master! There will be many more girls than Elaine and Lesley. Yet the questions which will have to be answered apply very much to their types.

1. Should offenders be sent to the reformatory for a set period and a set number of birchings or strokes? Or should their stay and punishments be decided by the staff there? The old law would require Elaine's presence until the age of 18. Would 6 or 12 months be sufficient for a promiscuous young wife like Lesley?

2. Should tannings be with or without witnesses? Elaine's strapping young fifth-form bottom will naturally get private study canings as well as in front of staff or other girls. Lesley, a liberated young woman, will suffer some humiliation if caned bare-bottomed before witnesses. To avoid this she must bend her urchin-crop and present her firm pale buttocks to her chastiser alone. A real disciplinarian will want to deal very strictly indeed with a trendy young libber who has ditched her marital responsibilities in order to sleep around. Is the risk of extra chastisement justified by saving Lesley a more public shame?

3. Should buttocks be clothed during tanning? Translucent tights over Lesley's bottom-cheeks will be torn by birch or cane. Lesley's black stretch-briefs — like Elaine's white ones — may impede the thrashing and conceal its effects from the person who gives it, which could be dangerous.

4. What punishment posture? Traditionally, Elaine would kneel over a block or lie on the sofa. Lesley's firm pale bottom-moons would be shown while she bent over a tall stool. Should this change?

5. What instrument should be used? Traditionally a birch for a tomboy, a cane or even whipcord on the bottom for an adulterous young wife like Lesley. Few angry husbands have a birch in the house!

6. Should the strokes be set before punishment? What incidents during chastisement require one to reduce — or increase — the number? Should a more absolute obedience be expected from Lesley under correction than from a youngster like Elaine?

7. Should tannings also be awarded and given by subordinate staff? If so, would Lesley or Elaine bend for the master's inspection and the tanning take place later? This guards against unsupervised discipline and ensures fitness for the ordeal. Yet it also ensures 24 hours of 'butterflies in the tummy' and a sleepless night for the young lady in question.

8. With up to a dozen years between age-groups, should severity of punishment differ? Do we accept that Lesley's experience of lovers, marriage, childbearing, makes her more maturely able, physically and emotionally, to endure severe discipline than even a robust tomboy?

Should her greatest feeling of humiliation be taken into account?

9. Would you find work in a reformatory for Elaine and the tomboys or work in one for Lesley and the libbers more rewarding? Try a simple test. You are offered one of two jobs. The way to one lies through a room to the left, the other by a room to the right.

To the left, young Elaine kneels over the block, stretch-briefs down, blouse tail pulled up. Tossing back her lank fair hair she cranes round at you with that snub-nosed insolence which has put her where she is just now. The full pale cheeks of her tomboy bottom are broadly presented. Cane and triple-switched birch lie close by.

To the right, 28-year-old Lesley bends tightly forward over a tall stool, with an air of peevish resentment. The straight fair hair, urchin cropped, is shaped close to her head from the high crown to the jawline. Her blue eyes are dismissive, her fair-skinned features firmly disdainful, her mouth and chin sulky as a spoilt little girl. The short white singlet ends at her waist. Lesley's stretch-briefs and tights lie on the tiled floor. Her long legs, trim from cycling and other exercises, lead up to the proud firming out of the pale moons of Lesley's bottom.

Desertion of marital duties is no longer approved of as 'a woman's right'. Birch and cane lie waiting, together with a short woven pony-lash. Parliament has reinstated Sir James Stephens's ruling. The number of strokes, the instrument used, the frequency of whippings, the removal of panties, will be entirely at the discretion of Lesley's chastiser. A year or two will reform her ways.

Do you turn right or left? The questions are academic. What matters is the answers — and the answers must be yours, aided perhaps by the example of James Miles, the Man with the Golden Rod.

Monday, 4 July 2011

The Bareback Girls

Story from Janus 56.

The Bareback Girls
Felicia and Louise

by Richard Manton

THE ROMANCE of Leon and his two young mistresses ran the full course of the Cirque Eden's summer season at Cabourg, in the last days of the belle époque. Against a sea that was millpond-smooth, the white caps of the tents rose among the trees of the Parc des Princes. Throughout the well-kept streets of the fashionable resort the gaudy posters were filled by trumpets and horses, bare-legged girls and Bengal tigers.

All day the summer tide lay glittering and languid beyond the sands. At dusk the coloured lamps of the promenade and the windows of the Grand Hotel shimmered and flickered like Aladdin's treasure on the whispering water. From the white steam-yachts anchored in a line, a beat of music and the laughter of dinner parties carried to the esplanade, where the wives of brokers and lawyers paraded in dresses of butterfly elegance.

At night the Parc des Princes belonged to the Cirque Eden. Leon, assistant to Madame Solange the ringmistress, was master of many trades. He was Tonton the children's favourite clown, in his pointed hat and baggy pants. In jerkin and breeches, he was also a trainer of horses and their bareback riders, a master of properties, and wire-walker.

Of his exact relationship with his 17-year-old bareback rider Louise, much was suggested but very little known. Neither she nor Leon had a history. Louise might be a lost princess or a petty thief. To the fashionable world, a circus-girl was no better than a thief. To the common people of the town, she was a princess in her short tunic and black silk pants, straddling, standing or kneeling on the speeding horse.

Louise was no fashion-plate but a warm-blooded girl with an appealing sauciness that would make a soubrette at the Chatelet or the Vaudeville sigh with envy. She had a rounded firm-chinned face with a pert little nose. Her blue eyes, their lashes darkened by mascara, could go wide with teasing mischief or playful shock. She wore no elegant coiffure but swept her dark hair back flat and straight from her wide forehead, trimming it short at her nape and cutting it clear of her devilishly pretty ears and neck.

She was not as tall as the most elegant showgirl should be. Though not too plump, there was still a hint of adolescent softness in her white-skinned figure. Combined with the cheeky roundness of her eyes, it made her the sort of girl with whom a man might take innocent liberties, perhaps a hug from behind with hands upon her breasts or a pat or two on the soft young cheeks of Louise's bottom when such encouragement was really superfluous.

To her admirers among the audience, Louise was a breath of bare and perfumed flesh moving in the warm air. Her knickers of thin black silk with lace hem did not quite reach her thighs nor quite uncover the soft adolescent whiteness of her buttocks. A girl of such sensuality was to some a fancy-dress doll and to others an angel from another world.

By the allowable fiction that she might be Leon's daughter, she shared his caravan. There was no family relationship between them. He had acquired her, somehow, a year or two before. The circumstances remained a mystery.

Stripped of her costume's glamour, Louise had an awkward beauty peculiar to her age. To glance at her when she was standing in the shadows of the tent, after her performance, was to see that her face could easily grow tense and self-conscious. Despite the glamour of her costume, she was not yet sure of her place in the unexplored adult world. Moreover, she atoned for her moments of spangles and applause by hours of scrubbing and grooming the white horse, Fleur-de-Lys.

Every morning she worked in the stables in blue cotton riding-pants and short jacket. Her attitude was an endearing mixture of the adolescent female ruffian with dark brown hair slick and cropped, and the dutiful daughter attending to the tasks set by her elders.

But no man ever adored a daughter as Leon did, watching Louise groom the white horse. She worked the brush with loving energy on the thick mane and tail of the gentle animal. At 17, her saucy round-eyed provocation gave her a look of self-assurance that she felt only with her trainer. Even her figure betrayed her inexperience. The slight adolescent plumpness of her white-skinned breasts and buttocks showed the charming awkwardness of a teenage goose not yet become a feminine swan. It was as well that Leon had disciplined her strictly and kept a firm hand upon his protégée.

With the innocence of her age, the girl assumed postures and attitudes incompatible with proper womanly dignity. Was it for this very clumsiness that the good-natured clown treasured her? She straddled her shapely legs in a most unbecoming posture as she braced her young strength against the mare's bulk. Dressed for the ring, she bent unselfconsciously in the thin silk of the black panties whose lace hem did not quite cover the lower inch or two of Louise's pearly backside in such a posture. Leon watched her for a moment with eyes which made wistful caresses upon her flanks and thighs, her backside and her loins. He was tense and thoughtful, as if recalling certain scenes of private correction which had been necessary in his education of the girl.

To the discriminating audience there was a heightened sensuality in the contrast of her costumes. Louise was, by turns, the roughly-clad stable-girl and the silken princess on her steed. No man but Leon was permitted to touch her. He would give a light and teasing pat on the sleek bare pallor of her thighs between the tops of her black stockings and the lace hem of her knickers, or he would stroke her neck and Louise would rub her face against the knuckles of his hand. When she stooped to her labours he would caress her thinly-clad hips or impart a lover's smack to Louise's softly full and rounded backside.

The other circus folk could only imagine the scene in the caravan when the light burnt beyond midnight. They smiled at the thought of Louise lying, or bending, or kneeling before Leon's chair. They imagined the light and breathless parting of her lips or the opening of the gates of love's desire to admit her master to a pleasure palace beyond description.

Every day before the season began, Leon was alone with his pupil for an hour in the big top. Here he put Louise and Fleur-de-Lys through their paces. With a girl of her kind, false modesty was not necessary. The girl wore her green bodice and the black silk stockings that made her bare thighs above their tops seem dazzlingly white. But the black silk knickers of her costume were not to be squandered by hours of practice riding. Instead, she wore a pair of tight-fitting white briefs, Louise's everyday covering under her skirt. On Leon's instructions, before mounting the white horse, she drew the seat of these briefs up on either side. The cotton was gathered in the central crack while the sleek white shimmer of Louise's bottom-cheeks themselves appeared bare. The spectacle added to the trainer's enjoyment and the contact of Louise's bare buttocks with the warm steed heightened her own thrill.


Louise and Fleur-de-Lys flew round the ring with its resinous sawdust and animal scents, under the pale light of the canvas roof. Leon drew his long thin-lashed whip through his fingers. The rhythmic crack of the fine leather scarcely touched or even caressed Fleur-de-Lys. As if the mere sound of it spoke a language, the pure white horse obeyed, cantering or prancing. Between Leon and the girl with her teenage softness of breasts and rump quivering a little at each stride, there was a more mysterious understanding. The slight muscular tensings and spasms of her stockinged calves and bare thighs astride her mount gave her a look of animal exertion. Her firm chin tilted, her lips parted, and her blue mascara'd eyes went saucily wide. The plump resilience of Louise's bottom made a sensuous smack on her mount as her hips rose and fell.

Leon's aim with the thin black lash was deft and controlled. From time to time he landed it smartly across the white shimmer of Louise's rear cheeks so that it drew a gasp from her and left a printed curlicue upon the pale adolescent buttocks. It was meant to sting her hard, and so it did. But it was always done in such a way that it seemed an extension of the exhilaration she enjoyed while she hugged the animal power between her legs. Sometimes Louise gave a soft cry and the quivering cheeks of her young backside clenched quickly with the smart. But when she jumped down from the horse at the end of the rehearsal, she always ran to the clown and wriggled wantonly into his arms. Indeed, after she displayed this tapestry of his affection on her behind, the light in the caravan would burn almost until dawn.

Whatever obedience he taught this teasing creature, she learnt it through the time-honoured method. But on days when there was no performance of the circus, she earned a preliminary reward. He would give her a kiss on the cheek and a flat fondling smack on her well-warmed bottom.

'Put on your black silk panties, you little vamp! It's dinner at the Ritz!'

'Really?' Louise walked away, flirting her backside at him and looking at him round-eyed over her shoulder. 'In a hat with a feather and black silk knickers?'

Leon smiled. Their 'Ritz' was a brasserie in the Vieux Port.

It was here one evening, when the ramshackle buildings rose like stranded vessels, that they encountered Felicia.

The name suggested all that was chic and elegant but the reality was quite opposite. Felicia was a petite dark-skinned beauty, round and skittish in her way as Louise, her origin a colonial island or an eastern paradise. The dark copper-skinned warmth of her high-boned cheeks was matched by odalisque eyes and a striking profile. Her eyes, though slanting a little in the manner of her race, were wide and proud. Her dark hair was simply worn, in a series of pretty plaits that fell about her shoulder like a bead-curtain. Felicia appeared a charming little creature, simply dressed in black and a thin gold loop hanging from each earlobe.

Pretty and provoking, this late-teenaged child of untamed nature had worked at sweated labour in a small cafe, patronised by the circus folk. Then her parents had been sent to prison for a theft they could not deny. The cafe proprietor dismissed the daughter of the criminal class. Felicia was destitute. She would beg until she had a few sous. Then she would walk to buy or scavenge scraps from the covered market.

This dark-skinned beauty was sitting on the quay, a picture of dejection.

'And your parents?' asked Leon, when she told him of her lost employment.

'I don't know where they are now,' she said despondently. 'I haven't seen them since the flics took them away.'

'So where do you live?'

Felicia turned her beautiful dark eyes upon him.

'Here, on the pavement. Yesterday the concierge took away the key to the room in the Rue de l'Ocean.'

Leon pitied her but he was also agreeably excited at being her only hope.

'And how do you manage to eat?'

'I have had no food today,' she said, raising the slant of her proud dark eyes. 'Perhaps I shall have none tomorrow.'

'You shall eat with us tonight.'

His sympathy was instinctive. Yet it was tinged by the exciting possibility of being the protector — even the possessor — of a dark colonial Venus. They walked to the brasserie with Felicia as a guest at their modest feast.

Afterwards, Leon's good nature could not leave her on the streets.

'Where will you sleep tonight?'

Felicia shook her head. A tear began to gather in one dark and lovely eye. Misery robbed her of speech. He spoke gently to her.

'If you promise not to take up too much room, we shall find space for you.'

Felicia looked doubtfully at Louise. But the saucer-eyed charmer, who sat next to her, hugged the bronze-skinned beauty with all the love of her closest sister.

'So long as you can be friends,' Leon said.

Louise hugged Felicia more tightly.

'We'll be such friends!' she whispered.

'And as long as my pretty little kittens don't scratch,' Leon added with a smile.

For a few days, he and the two girls lived in that exaggerated courtesy which infects people thrown together in such a manner. A curtain divided the caravan at night. On one side lay the trainer of horses. On the other, snuggled up in a bed designed for only one, lay Louise and Felicia.

Felicia, dark-eyed and wondering, watched Louise on Fleur-de-Lys at the morning rehearsals. A few days later, Leon was in an imperious mood. The hoop was held up and Louise sprang through it, safely again astride the back of the obedient horse. She posed and turned upon its smooth pale hide. Then lying forward, she hugged its neck, the light catching the short cut of her hair swept sleekly back from her white brow. The hem of her briefs had been tugged up as usual, so that her shimmering buttocks were the more pale in the limelight. Her thighs moved and her backside rose and fell, as if she loved the animal warmth between her legs in her most abandoned manner.

Leon cracked the thin black whip hard, so that it landed across the cheeks of Louise's bottom with a cruelty he had never before shown her. The girl cried out in shock. But he, in his horse-taming costume, was determined to train her rigorously. He brought the lash across her young backside again and again. By the time that Louise got down, there were tears in her saucy round eyes. She stood back, as if in fear of him.

'You were slovenly!' he shouted at her. 'You were late at every jump.'

A few nights later, thoroughly ashamed of himself, he parted the curtain and entered the half of the caravan where the two girls slept. Taking Louise by the hand, he led her to his own quarters. Felicia, lying wide-eyed in the dark, saw nothing. But she heard clearly even the softest sound they made.

Leon loved Louise, his cheeky adolescent girl. There was no doubt of that. He loved her as a princess in her showgirl stockings and black lace panties. He loved her as an awkward stable-maid. He adored her now, in her white nudity which was the only night attire Louise had ever possessed.

He was systematic in his adoration. First he took her lips with his own and trilled his tongue, tasting the cleanness of her youth and beauty. He kissed her, until she shuddered and moaned for Felicia to hear. He stroked and kissed the cool pallor of her swelling curves. He caressed and tickled her until she shivered convulsively and sighed.

Another hour of night passed before he was ready for her, as gently as always.

Long before this, Felicia responded to the soft sounds beyond the dividing curtain and began to run her hands over her own copper-brown thighs and dark-haired loins. Yet perhaps the shrill mewing which proceeded from her was the more indicative of her intense and excruciating release.

From that time, Leon treated Louise with great tenderness. Night after night, Felicia lay alone and listened to her, just the other side of the curtain. When her mouth was not stopped by the pillow, the teenager would cry her lover's name. When he had finished with her, he would stroke Louise's bottom or thighs gently and send her back to the other bed. There she must curl up, her pale body naked and cool from its exposure by contrast with Felicia's dark-skinned nudity warm under the blankets.

Leon wondered what the effect on the two girls might be as they lay together naked after he had spent. His bed was so narrow that it was impossible to avoid a constant touching of bare flesh. As Louise turned away, Felicia's leg must still brush against her thighs. Or else their breasts would tickle together with accidental arousing. Or the pale softness of Louise's bottom-cheeks would curve into the harder and dark-haired warmth of Felicia's loins.

Consumed by curiosity, Leon spied through the curtain. He had heard the bed-springs moving softly. There was light enough to make out the shape of the girls under the sheet. Felicia lay on top of Louise. There was squirming and gasping, sharp breaths and a hissing release of tension between the teeth. Poor Leon had not the least doubt that his girls were making love to each other. He drew back and knew that he did not mind in the least. Had another man seduced Louise, Leon would have fought him to the death. But to see her with a woman was not at all the same. Indeed, it excited him. He devised schemes to induce them to do it willingly in his presence.

His mistake was evident next night when he had Louise behind the curtain. He could feel, let alone see, the evidence of Felicia's jealousy. It was in places not always concealed by the black silk panties, which were far too small to cover completely the adolescent plumpness of Louise's bottom-cheeks and hips. They had been fighting. Felicia used her cunning to hurt Louise where it was unlikely to show. From feminine pride, they fought with only gasps and hisses.

He said nothing. Perhaps, like young animals, the two girls fought in play or earnest to work off their natural frustration.

It was Madame Solange's suggestion that Felicia should replace Leon as the hand with the whip during Louise's evening performance. With her hair in a score of pretty little braids, like the woven tails of a lash, there was a suggestion of the barbaric and the perverse in the dark-skinned girl's command of Louise the captive rider. Madame Solange chose for her a little jacket and black leather trousers of a Spanish equestrian kind, worn tight as drumskin on the tautly rounded curves of Felicia's backside and thighs.

The innovation was a great success. Fashionable society from the resorts of Deauville and Trouville, even a painter or two of la vie de boheme, graced the ranks of the audience. It was alluringly suggestive to see Louise riding astride her mount, blue eyes round as saucers in their seductive teasing, the nude pearl of her thighs, the provocative jump and quiver of her soft rear cheeks in the tightness of translucent black knickers, while the beautiful and barbarous little mistress cracked the cruel whip. The audience would gasp with dismay, spiced by excitement, each time the black thong smacked across the thinly-clad adolescent plumpness of Louise's bottom.

But all this was in play. As if by some complicity the two girls gave full vent to their jealousy only in bed. Why so secret? Felicia feared she might be turned out. To Louise it was a matter of pride. She must fight unaided to retain her place.

This continued for several weeks. Then, one morning, there was a row in the tent. Leon heard Madame Solange's anger and the muttered replies from Felicia.

The ringmistress swung round as he entered. 'This thieving slut of yours has the impudence to steal my best riding-switch! The one with the pearl stock that Monsieur Le Commandant presented to me at the Cirque d'Hiver!'

'No!' said Felicia. It was the sulkiness of a little girl caught in the act.

'Three days ago it vanished. This morning Anton found the pawn-shop ticket in her costume clothes. We fetched the switch from there, not half an hour ago, pledged by your dear little Felicia for six francs! The little bitch learnt this from her parents! She deserves the police!'

'Perhaps a really good hiding,' said Anton the juggler hopefully. 'That's what the police give a young rascal-girl like her. We might as well save them the trouble.'

Madame Solange turned to Leon again. 'Will you do it, or must I get the tent-master for her?'

'Not I,' Leon said, turning away indifferently. 'Fleur-de-Lys must be shoed before tonight. Let the tent-master thrash her.'

Felicia had been looking at him with something like contempt in the slant of her gaze, caring nothing for his whip. As he walked off, her dark eyes seemed to implore him desperately to be the one who punished her — and then they filled with panic as he left her to the others. They were obliged to hold her until the tent-master came.

'Now you shall feel leather, my girl!' said Madame Solange vindictively. 'Burning hotter than the tightest pants you can imagine!'

'Give her a really good hiding with her knickers down!' cried a woman in the crowd. The tent was filling with circus folk and idlers from the streets. Felicia was stripped from the waist down. There were murmurs of admiration for the smooth warm copper-tones of her trim little thighs and hips, the taut and demure rounds of her tawny buttocks. She was hauled astride a trestle and made to lie along it. Willing hands held her arms and legs, others crooked an elbow round her waist or grasped her wrists or ankles. Felicia twisted her face round, the defiance of the noble female savage fading in alarm from the dark elipse of her eyes.


As an act of poetic justice the burly tent-master used the recovered riding-switch, which was long and supple. He thrashed the bare beauty of the young odalisque until his muscular arm ached too much to continue. The maidenly olive-skinned swell of Felicia's bottom-cheeks bore ample evidence of it. When she was hoarse from yelling, Solange allowed her only a moment's pause. Then the ringmistress took the riding-switch from the tent-master. She too thrashed the dusky Venus across rear cheeks already smartingly chastised.

It was only then that someone asked Anton how he knew the pawn-shop ticket for the stolen riding-switch would be found among Felicia's costume clothes. He explained that a note was left in his caravan. Unfortunately it was unsigned but clearly the work of a believer in justice.

Leon shrugged at this news. Yet he noticed in the days after Felicia had the whip that the muffled struggles between the two girls in bed seemed to cease. When the tent-master and the ringmistress had finished with her, the copper-skinned beauty returned to the caravan and was heard to weep softly for the greater part of the afternoon. She threw herself down over the bed, and lamented with good reason the sorry state of her backside and the rear of her thighs. It was out of the question for her to appear in the show that night. For the future, Leon was master of horse when Louise rode bare-legged on Fleur-de-Lys. Felicia was reduced to menial employment.

The good-natured Leon still had not the heart to turn the dark-skinned girl on to the streets. At the best, she must prostitute herself and at the worst she would starve. His own situation was not at all the life he had imagined with two beautiful girls at once. For a week he slept alone behind the curtain. Then came the climax of the bewildered clown's domestic drama.

Performances at the Cirque Eden concluded with a melodrama to bring the audience to its feet. It was adventure from the Wild West! At its climax a savage tribe of warriors — mounted and on foot — poured into the ring, trying to bring down the girl from her horse and lead her off to rape and slavery. The excitement was intense and the spectacle well-rehearsed. A degree of danger was inevitable but Fleur-de-Lys was used to the whoops and gunshots of the savage tribe.

On this fateful evening, no one noticed that there was one more Indian than usual. Without the least warning, a female warrior on foot dashed in front of the white horse, firing a blank from a pistol almost in the animal's nostrils. The mare reared up. Louise, for all her practice, slid from the horse's back and fell before the hooves of her pursuers.

Cries of dismay rose from the audience. Leon saw the motionless form of Louise lying upon the sawdust. Why did he not go to her? Perhaps he could not bear to look. Perhaps he was seized with fury on her behalf.

From whichever impulse, he ran in pursuit of the assassin — and had not the least difficulty in catching her. Felicia made no effort to escape but reached the caravan first. By the time he threw open the door, she had stripped off the disguise of her Indian costume and every stitch of clothes. She was superb in bronze nudity, the slant of her dark eyes fired with triumph.

'You shall do to me as you did to her!' she hissed. 'Now you no longer have her, you shall take me behind the curtain at night! I shall never again have to lie and listen to the pair of you!'

He looked at her, understanding too late the violence of feminine jealousy. But he could not endure her company. Leon went back slowly to the sawdust ring where Madame Solange and the others had gathered. He was absent for half an hour and then came back to the caravan alone.


He seemed undismayed to find Felicia still there in the lamplight, proud and naked as before. Without a word, she took his training-whip from the table and gave it to him. Turning, she lay naked on her stomach over the bed, her forehead resting on her arms as she waited to be flogged.

'Take your revenge for what I have done,' she said, 'and then make me your girl. I will do all that Louise did for you. You shall use me in every way a man can use a woman. I shall warm your bed and work for you. I will be your slave.'

He stared at her as if he might be dreaming. At last he raised the short lash. With all his strength he thrashed her from the back of the waist to the back of her knees. He whipped her harder and more implacably than the tent-master had done, until the copper-toned mounds of Felicia's bottom were zebra-striped. She swallowed almost every cry and uttered only muted sounds of anguish deep in her throat. Felicia writhed and contorted her round trim buttocks as if squirming in some passionate honeymoon embrace. She did not resist nor even seek to avoid the lashes of his vengeance.


When she had been chastised, Leon allowed nature to take its course. He finished and stood back looking at her on the bed. Just then, the door of the caravan opened. Felicia scrambled up, shaking with fear, as if she saw her own death. With a cry she sank to her knees and hid her face in her hands. In the lamplight stood Louise. Her face was pale and her eyes shocked. But she was no ghost, and Leon had known it before he returned to the caravan.

He spoke quietly to Felicia. 'You cannot kill us so easily. You suppose we never fall from horses? You imagine our mounts are not trained to avoid trampling us? You think we do not know how to avoid their hooves? My poor little fool! When you confront us, you are in the presence of the immortals.'

At last they heard Felicia's sobs. Only the misery of being ignored by him at night and fear of being sent away had driven her to a desperate act of jealousy. Leon's anger had now gone and his kindness returned. He knew that he had been unwittingly cruel in showing no more than cool courtesy towards a warm-blooded odalisque. But it was only Louise, the injured party, who could pass judgment. She approached, raised Felicia, and embraced her. The girls cried a little in each other's arms for the folly of hatred and jealousy. But Leon had the last word for Felicia.

'Can you imagine,' he murmured, joining the embrace, 'that I should raise my whip over you, if Louise lay dead? You have learnt little of how men and women behave. There is more to love than a man's pride between your legs!'

He left Louise to express their forgiveness. She kissed and petted Felicia, for all the world as if it were the warm-skinned beauty who had suffered the danger and injury. Leon, after the passionate whipping and ravishing, was now uncertain what to do.

Louise in her adolescent wisdom put the matter right.

'You shall stay with us,' she whispered, holding Felicia's head to her breast and stroking her braided hair. 'We shall love you and make you forget all the bad things that have happened.'

By a course of events quite unlike those he had imagined, Leon became possessor of both girls. Their only rivalry was to prove which of them loved him more. When there was temper or rudeness he, without partiality, spanked the bare bottom of Louise or Felicia with his strap or cane. This only drove them deeper into one another's arms, and so back into his own.

Love and infatuation spring back from jealousy and obsessive hatred like a ball from a racquet. The sounds from the bed which the two girls shared were still short, breathless exclamations and soft cries as if of some ordeal. But the squirming under the sheet — and often with the sheet thrown clear to reveal the writhing of mutual desire — had a different cause.

Leon was their master, in public and in private. For both Louise and Felicia, the training in the ring became an extension of his passion. The dividing curtain was removed. If he drew one of them to his bed, he no longer hid her from the other. Often it was the pair of them with whom he enjoyed himself. Like a good master, he made an equal and scrupulous division of his substance between the two girls.

With Madame Solange and his friends, the two girls walking as meekly beside his caravan as slaves in the triumph of a conqueror's procession, he travelled the fairgrounds of spring and summer. Why did Leon accept Felicia so easily after her attempt upon Louise's life? The answer was one that he never revealed, not even to the girls themselves.

When Felicia was punished for the theft of the ringmistress' riding-switch, Anton had been alerted by an unsigned note accusing the girl and describing where the stolen object might be found. By the unwritten law of the circus folk, her punishment was not in doubt. She would be stripped and soundly thrashed by her protector. A day or two later Anton had shown Leon the note. He recognised the handwriting from the little bills which the former barmaid of the Cafe du Vieux Port once presented to the customers.

Felicia accused and condemned herself, in the mistaken belief that it was Leon who would strip and chastise her. The heat for him which plagued her loins was so great that she never doubted her power to seduce him by the erotic witchcraft of her naked writhings while he was beating her. When he whipped her on that later occasion, the truth of this was proved. But what terror and dismay had appeared in her face the first time, when he recalled that Fleur-de-Lys had cast a shoe and handed Felicia over to a cold and vindictive thrashing by the tent-master.

At night, when the lights of the great tent were darkened and the arena was deserted, the three of them withdrew to the caravan and the key was turned in the lock. As the two girls undressed, Louise soft and white, Felicia lithe and tawny, Leon considered the events of the day. Occasionally he would lay the cane or the strap upon the bed. But always, even after the training which those objects suggested, he would take his two adoring circus-girls into a long and intimate embrace. Sometimes Madame Solange or the others would hear a sound in the night, intense and perhaps shrill. But they would turn over and go to sleep again with a smile. It was only Leon and his bareback girls.

Friday, 31 December 2010

Noreen: A Travelling-Man's Confession

Story from Janus 59.

Noreen
A Travelling-Man's Confession
by Richard Manton


I DOUBT if you would care to change places with me, supposing you were to see me on the train or in the dining-room of a commercial hotel. A travelling-man with a leather bag and a portfolio of documents. A face with spectacles and moustache that you might change for a million others and never know the difference. A dull fellow on his way to perform some tedious duty for a mean employer. That is how you would see me. Journeying late at night in ill-lit draughty carriages. Sleeping on starched and unfamiliar sheets, lodging on lonely beds in rented and fly-spotted rooms.

You see? I cannot lay claim to the make-believe of romance. The secret I share with you now is an episode in the most ordinary life.

You would not look at me twice. A sympathetic glance and home you go to the arms of your warm plump Louise, or your wriggling little Jacqueline, or your dreamily lecherous Michelle. Perhaps you have a fluffy young wife with a round and agile little bottom who will carry in the supper and precede you lasciviously up the stairs to bed. Or else an almond-eyed and tawny-skinned young mistress with a touch of the perverse about her waits for you in a secret apartment.

How you pity the poor travelling-man! But I do not envy your private moments with Michelle or Louise. I might give my reason in many words or few. For the moment, I choose just one.

The word might be Joanne, or Sharon, or Vicky. For the moment it shall be Noreen.

To you that name means nothing. For me it evokes an image as real as your own face in the morning mirror. A girl of nineteen. Not a beauty queen but lithe and plainly good-looking, damnably provoking as only a well-built young trollop can be! Picture a fair-skinned firm-featured young face with a resolute chin that hints at defiance. See the lazy insolence reflected in the slant of her brown eyes. The hair is lank and dark, worn in a level fringe across her forehead, cut round to touch her collar and cover her ears.

There are girls of nineteen who demand to be treated gently as Meissen dolls and others who do not. Noreen belongs to the latter kind. She is quite tall in figure, not flabby but well made. Her shape is of the kind that goes with a white blouse and plain denim shirt, or a white singlet to show her firm breasts and strong young back, matched by the tight fit of smooth denim riding-pants. The pale blue denim, strained taut as drumskin on her well-exercised young figure, shows thighs that are sturdy but not fat, hips that are robust, and a pair of nicely firmed-out globes – Noreen's bottom-cheeks under her tight jeans-seat. She has the look of a well-developed outdoor girl, who prefers sensible tight pants to the flowing skirts of the middle-class miss.

Let me tell you how I first saw her.

I shall not be so indiscreet as to give you the name of my employer nor that of the charity whose patron he remains. You know as well as I that there are young men and women who fall by the way and are reclaimed under a regime of stern moral authority and wholesome toil. Among female miscreants in their teens or twenties there are young sluts, trollops, tarts, slatterns – call them what you will – who must otherwise languish in the moral corruption of a prison. Happily, a magistrate may grant a probation and impose what conditions seem best. The charitable organisation of which I speak offers secure premises and a programme of useful labour. Two or three years of residence with enlightened supervision and demanding work is to be preferred to the contagion of the penitentiary. But one dare not consign young women to reformers – male or female – without further inspection. Who will guard the guards themselves, as the wise Roman asked?

I will. In me you see what the Russians would call the Inspector-General of those establishments which owe their existence to my employer's generosity. I am the man whom their directors dread. They know I watch keenly during my visits and travel back to London with my reports. So long as I exist to monitor them, the public sleeps content. Scandal is what authority fears most. I need not remind you what newspaper revelations followed the canings on the bare tomboy bottom of Elaine Cox, the fifth-form girl, or the naked birching of the round lascivious buttocks of Jacqueline Grant. We want no more of that.

I followed my calling for about two years, drawing up my reports promptly and neatly. I am an exact man. Those who know me would tell you as much. It was a fine day in November when I set out on my visit to Hollingsworth, the country residence where Mr Brown apprenticed delinquent beauty.

The railway does not run to that remote moorland hamlet, almost within earshot of a steep and lonely coast. There are no chance visitors at Hollingsworth House. You leave the train at a cathedral city 15 miles short of your destination. Someone waits by appointment in the station yard to drive you the rest of the way.

Mr Brown has great commercial influence in that city. He is not so great a benefactor as my employer but Hollingsworth is his 'hobby' and he spends upon it the surplus of the wealth which his business brings in.

In a mere story, chance would never play the part in my life which it did that November afternoon. Through some misunderstanding the driver who was to take me to Hollingsworth supposed that I should be on the later train. I found myself standing, leather bag in hand, in the station forecourt. I had an hour to wait. Rather than remain there, I went wandering the streets, admiring a mediaeval corner here and a Tudor mansion there. Mr Brown's name occurred several times on the boards of prosperous enterprises.

It was in passing one of these that I noticed a well-built girl of nineteen vigorously shining the floor where the treasures of Mr Brown's emporium were set out. I knew that the girls at Hollingsworth were required to work for their master. I suppose I knew that they were sometimes brought into town to do so. But I had never noticed this one on my visits to the moorland house. She had been only one face among thirty or forty. Had I not chanced to encounter her now, I do not think I should ever have picked her out.

She was kneeling with her back to me, sitting on her heels, working her cloth with vigour and determination – reflected in the set of her jaw and the wide points of her cheekbones. It was not a job to be done in flowing skirts. Noreen was dressed for her menial task in white singlet and the faded blue denim of pants. A stout leather waist-belt kept the denim tight and smooth, making her lower figure an object of great interest. Several gentlemen paused to glance or stare. She responded with a pretence at indifference or a contemptuous flick of her fringe. I believe it was this challenge in the girl's manner that made her irresistible to one's authoritarian instincts.

When she inclined her back forward a little, with the energy of her polishing, the faded blue denim of the jeans was skin-tight over Noreen's bottom-cheeks and hips, which naturally swelled fuller and broader as she sat on her heels. To this day I do not think Noreen realised the rear view she offered to these casual admirers. Yet such was her disdain for them that I doubt if she cared. Sometimes she stopped and turned her face to one of the gentlemen with a hard and most impudent stare, as if to dismiss him. But the day's work must be finished and soon she resumed it.

To reach further, it was necessary for the girl to lift her hips and go forward on all fours, the collar length of lank dark hair falling loose about her face. As she raised her haunches from her heels and went forward on hands and knees, it was possible to hear a sharp intake of breath among those who saw her. In this posture, each of Noreen's buttocks filled her jeans-seat like a smooth and taut balloon-swell, though her thighs were still the firmly-muscled legs of a well-exercised working girl. Her broad leather bell pulled the washed-out denim still closer against her rear curves.

How suggestive was the sight she now presented! The faded blue jeans were skin-smooth, shaping the firmly-stretched mounds of Noreen's behind. At the same time, as she knelt forward on all fours, the stout central seam of the jeans-seat was drawn deep and taut between the slight fatness or heaviness of Noreen's broadened bottom-cheeks. It was strained forward under her legs where a certain intimate softness of feminine flesh was moulded by the thin denim. No wonder that Noreen at nineteen had the reputation of a strapping young wench. To look at her now was to understand why. Her backside, in this posture, appeared robust and full-cheeked but firm and well-shaped at the same time. Noreen's knickers were clearly outlined through the thin taut denim of the jeans. They were briefs of elasticated cotton, usual among girls of her age and type. From the rear opening of her legs, the ridge of the hem arched up brief and tight over her buttocks, showing that the cheeks of Noreen's statuesque young backside were half bare under her jeans.

She worked vigorously in this posture for five or ten minutes, inclining her hips a little this way and that, unknowingly presenting her young behind one way and another, sometimes backing towards her admirers, sometimes kneeling over more tightly to polish under a chest or counter, Noreen's rear cheeks more fully and separately presented. The smiles exchanged among her admirers confirmed how their imaginations penetrated the smooth denim while Noreen presented her rear aspect with such unwitting abandon. Those who studied her had lost all interest except one. She had ceased to exist as a girl of character and offered them instead a single object which the theorists of fetishism insist may exclude all others. They cared nothing for her – but only for Noreen's bottom.

Those who peruse the literature of the subject know full well that the female bottom comes in types and shapes. There are the trim tight saucy buttocks of a soubrette like Jacqueline. You may find the pale oval beauty of the rear cheeks of a nymph at sixteen in Judith or Tracey. Or the full-cheeked adolescent pallor of Elaine's bottom, the appeal of the tomboy A dozen years senior to her, Joanne's full-mooned backside presents the erotic maturity of the experienced and Amazonian young wife. But whatever one's preferences, Hollingsworth House supplies them all.

Noreen was none of these. Hers was the backside of the study firm-hipped girl at nineteen, whom one puts to hard labour. There are, I know, voices to deplore that Noreen's arse should have been the sole subject of her admirers' interest. But if you will reflect upon it, did not that particular female arse tell one a good deal about the character of its young owner?

I confess that, after what I had seen, it was unlikely my visit to Mr Brown would pass without Noreen's backside appearing over a stool or trestle. My critics might maintain that this proved my own obsession. But if her bottom was an expression of her character, was it not her character upon which the chastiser operated?

I need not have concerned myself. There was a man nearby who had watched Noreen's rear view longest and closest, his tongue running repeatedly along his lips. His outrage took the appearance of excitement. Now, in an access of moral fervour, he entered the premises. I later heard, he confronted Mr Brown with a protest about the suggestive manner in which the young slut conducted herself. I cannot tell you his words but I saw animation and colour in his face. There was a tremor in his hands, indicating the offence he felt.

I would have supported his complaint but it was clearly unnecessary. Having no wish to involve myself without purpose, I walked back to the station yard and found my driver. He was a burly taciturn fellow who spoke little during the journey. From main roads we turned into lanes with tall hedges. From these we climbed the moorland slope, coming in twilight to vast horizons of darkened scrub and a sky the colour of ink. A light but stinging rain was in the air, blown fresh from the rollers that churned and broke at the cliffs' foot a few miles off. Beyond the village, several miles from the nearest farm, a track turns off the road. Bumping and swaying, we followed it for ten minutes, coming at last to the gabled mansion of Hollingsworth. A paradise in summer, I daresay, but a place of darkness and gloom in November. Mr Brown was not yet back, said Mrs Fox the senior guardian. With a glass of sherry and a volume of Barchester, I chose the leather chair and awaited my host.

Mr Brown said nothing before dinner, which we took in his private dining room waited on by two of the girls. Only when the savoury was cleared and the port set down did he reveal his preoccupation.

'I fear, sir, that your stay will be marred by a distasteful but necessary exhibition. A girl of nineteen, whom I supposed could be trusted to work for me in the city, has proved me wrong. She is to be made an example of tomorrow night. I do not suggest that you should attend. Two of our local magistrates and their ladies will be present to see that all is properly done.'

'It is no more than my duty to attend, Mr Brown,' I said. 'I know that Lord W------ would wish it.'

'As you please,' said Mr Brown a little gruffly. I do not think he was displeased but he could not be sure how I would report this to Lord W------.

That was the end of the matter for the time being. I assumed, of course, that Noreen was to be whipped but had been told none of the details. It would have been wrong of me to interfere, for I was there to observe and make a report, not to implicate myself in the running of Hollingsworth House. As I lay in bed, before going to sleep, I recalled the sight of Noreen that afternoon as clearly as if it had been a photograph. In the case of a robust and defiant girl of nineteen, I thought, there was no reason why the whip should not be used upon the buxom young cheeks of Noreen's backside. In that case, I could think of no more appropriate posture than the one she had shown herself in, upon all fours. They would kneel her over a block or a heavy stool, I supposed. I could not imagine that they would let her wear a pair of jeans during her punishment. The question then was whether we were to see her rear cheeks clad in the white stretch-cotton briefs of Noreen's knickers. An interesting sight no doubt. But tantalisingly on the edge of consciousness as I drifted to sleep was the thought of seeing the full swelling pallor, the strapping young cheeks of Noreen's bottom presented bare for the whip.

Next day, as I made my little tours of inspection in the house and through the gardens where the girls were put to work, I could scarcely keep my eyes off Noreen. The incident of the previous afternoon had given her a new significance for me! I found that I loitered to watch her at work as she bent to her task, weeding or seeding as they say. Several times she flicked back her lank dark hair and stared round at me without straightening up. The slant of her brown eyes and the firm resolve of her fair-skinned features showed a mingled contempt and resentment. But I stared her out with my authority until one of the guardians ordered her to her task again.

Far from being abashed, I remained standing quite close behind this provoking nineteen-year-old. I did not disguise from Noreen that my interest was in the sturdily-rounded, smoothly-jeaned cheeks of her bottom. Prudence forbade that I should weight and fondle those thinly-clad rear cheeks in my hands. Yet by quiet smiles and indications with my eyes, I made sure that the girl knew what I was looking at and what my thoughts were. I am certain that Noreen felt, in her imagination, the ghosts of my hands in their roving examination of her and my fingers' insistent delving and running, parting and probing. For an hour or so I tantalised her like this at a range of a few yards.

That evening the two magistrates and their ladies were to arrive at nine o'clock to see justice done. After dinner, at about eight, Mr Brown withdrew to the room where Noreen awaited her retribution. I was not invited to accompany him and I can give only my impressions of the examination he carried out.

The door of the room was open just long enough for me to see Noreen. The girl was lying on her belly upon a high couch, her arms tight against the wooden legs at the front and straining down towards the floor in a rather exaggerated and unnatural manner. The pillows were not under her head but packed under her loins to raise her hips and make her rear cheeks swell out fuller and broader. Noreen's face was turned to the door to watch Mr Brown enter. If she felt butterflies in her tummy at what was to come, there was no sign of it. Under the narrow and level fringe of her dark hair, the same resolve appeared in her fair-skinned features. The brown eyes stared impudently. Indeed, two spots of anger seemed to burn at the points of her broad cheekbones. The reason for the anger was plain to see. The young hoyden was clad only in her short white singlet, obliging her to offer a view that was much in demand among her followers. The hem of the singlet was drawn up to the small of her back so that the swelling full-moon pallor of Noreen's rear cheeks was admirably presented to Mr Brown.

Before the door swung to on its automatic device, there was time to see Mr Brown approach. He sat at an angle on the couch, level with Noreen's hips but looking towards her feet. Ignoring her face and, indeed, her upper half, he circled her waist with his left arm to steady her. Leaning to do this, we were confronted at eighteen inches by a full view of Noreen's pale seat. One heard her gasps of frustration, a determined gritting of her young teeth. But the double swell of Noreen's behind was at the disposal of Mr Brown's survey.

I cannot give an eyewitness account of what occurred in that room during the next hour, while the discipline was prepared elsewhere. Nor would it be proper to tell tales. Yet one longed to be a fly upon the wall! Happy the fly when the full pale cheeks of Noreen's bottom are the centre of attention. The insect must feel swelling enthusiasm and stiffening resolve, striving to bring its busy back legs to order. The girl had been obliged to wait alone an hour like this. No doubt the daring bluebottle enjoyed a long intimate pestering of Noreen's bare backside. A most vulgar intrusion into privacy! How many men would yearn to be that audacious and intrusive fly in such a cheeky locale!

From the next room, where I waited, it was possible to hear Mr Brown's murmurs to Noreen as the girl tensed at his investigation. Her gasps were sometimes almost a snarl of defiance. The springs of the couch shifted under the squirming pressure of her knees. There were sounds as of Mr Brown smacking his hands hard, or making some similar contact. There was a smack to make Noreen's bottom turn this way and another smack to make her turn it another way. There was a smack to make Noreen lie further over and double smack to make her lie still. There were smacks for good reason and smacks for no reason. I cannot tell whether it was Mr Brown's hand or some aspect of Noreen that smarted like fire by the time the door opened again.

Nor can I verify all his words. The advice, 'You must make a start, Noreen!' is very like, 'You fat-arsed young tart, Noreen!' if a wall is between speaker and listener. But I heard some significant words, and many a sounding seat-smack. 'Each Saturday night ... over a trestle, Noreen ... backside properly bare ... bamboo teaches obedience first... your bottom, Noreen ... frantic already? ... your bottom again, Noreen! ... snakeskin ... can't? ... get it anyway, Noreen! ... chastiser naturally eager ... your bare bottom, Noreen ... shrill and urgent ... all night ... changed girl, Noreen! ... state of your bottom, Noreen! ... begin again! ... bottom smacked first, Noreen ... across your backside, Noreen!'

There was no doubt that Mr Brown's examination of the seat of this nineteen-year-old hoyden was conscientious in the extreme. I concluded that he considered the pale sturdy cheek-swell in every attitude of tension or slackening, every shifting and rounding. He observed closely the nature of the curves, fatter and softer in the lower slope. He steadied the flanks and mapped with his hands the smooth double contours. From the cool mounds he passed to the warmer incurve and subtle changes of skin tone firmly revealed. By the time he had finished, he had acquired a knowledge of the terrain that might be envied in vain by Noreen's boyfriend or her bridegroom, were she allowed to have either.

It was after nine when we were summoned to the exercise-room. There I met the two magistrates, accompanied by their ladies. I was surprised that these middle-aged gentlemen had such very young wives. But then, perhaps ladies and wives are not always the same thing. We were accommodated in easy chairs while Noreen was brought in. A tall stool was at the centre of the floor to lend her the support she needed.

It would be wrong of me to invent more than I saw – and indiscreet to colour in certain details of the next half-hour. I was able to see Noreen's face for she flicked her narrow fringe and the collar-length of her hair back in order to look round with firm-featured contempt at us. Indeed, Mr Brown ordered the young wanton to keep her face towards us so that we might observe the effect upon her. Guiding her flanks, he also required Noreen to turn the swell of her broadened bottom more fully towards us. I may tell you that the eyes of the young ladies were sparkling with anticipation and that the gentlemen already shifted as if at the tightness of their suiting.

The cupboard switch was quiveringly long and supple. Mr Brown teased out the preliminaries by measuring this way and that across the robust cheek-pallor before him. He gave Noreen a first taste with an energy that made the very air sing. She kicked out with what was, I think, a purely reflexive anger. Cautioned for that, six times across her cheek-swell and twice high on the rear of her legs, Noreen gasped and tensed. Caught twice again, she drew one knee up urgently as if to show us how he had made her smart. Not once did she straighten up. Often her shoulders lifted as if she strained to raise from the floor a weight that was too much for her. There was no weight that I could see.

With the singlet hem well above her hips, Noreen's backside was indeed properly bare. The lesson taught her was exemplary, as such lessons should always be. With such vulgar impudence as Noreen's on display, one hoped that the ritual would not end before the clock's hands reached the next five minute mark. Nor did it. One hoped, then, that the next mark would be passed. And so it was. The one after that. And the next. Nor did the pace slacken. In dealing with this robust young working-girl, Mr Brown always ensured that each impact landed long before the previous one could be contained. There is such a telling smack with supple snakeskin. One saw first a jump and quiver of Noreen's pale bottom-flesh, then a vigorous but constrained surging and rounding. But the next aim caught her at once and the restraint broke in a most unladylike display of kicking out and a salvo of vulgarity directed at her betters.

Mr Brown curbed this by saluting the lower and fatter swell of Noreen's bottom-cheeks. What posterior contortions she performed! We saw her toes curl with the intensity of it. One knee was jammed frantically into the back of the other in desperate self-containment. Twice more she kicked out and, after a pause for a vigorous reprimand, she paid dearly and repeatedly for her misconduct. Noreen's bottom assumed more attitudes and angles in tribute to Mr Brown's skill than one would imagine possible. Had it not been for the stool, I think her knees would have given under her. But by this support she was enabled to receive all that Mr Brown required.

The clock moved on again, and still he was not satisfied with his strapping young trollop, as he called Noreen. He wove her a seat of fire, making her rise on her toes at the skill of his intricate design. Had there been a recording of the event, it would have been prudent to enjoy Noreen's soprano arias for the next ten minutes with the volume turned down a little. I am sure that no tragedienne ever equalled the mask of frenzy that she turned to us now.

Mr Brown was unmoved. A close survey of Noreen's blazing cheekiness was followed by a resumption. Noreen's bottom already offered a provoking subject to an artist in tones and colours. So wild were her evasions that she had to be reminded to turn it fully to the onlookers again. Mr Brown never spoke in anger, however. His tone was impersonal and implacable, as befitted the occasion. He gave his attention to Noreen yet again, with yet greater skill and energy Then he turned to reprimand, and then to Noreen's bottom once more. She made the stone walls ring and I thought it indeed prudent that we were out of earshot of the other girls and the guardians. That shrilling outburst was expiated low down, on Noreen's fullest cheekiness. And still Noreen's bottom claimed all Mr Brown's concentration. He was far from satisfied with her.

It seemed that each time the session neared its conclusion, Mr Brown could not quite bring himself to finish off. Oblivious of the clock-hands, he flexed the singing switch, imprinting another scorching kiss – and then another.

I do not think, when he at last returned it to the cupboard, that either the ladies or the gentlemen could complain of his leniency towards Noreen. The final scene is not one that can be adequately described – or should be written down even if it could be. I will only say that it was decided, upon my suggestion, that a permanent improvement in Noreen's conduct might be effected by a visit from a certain official whose expertise is in severity. This was arranged, though a convenient date was some weeks away. Noreen was informed at once so that, as Mr Brown smilingly described it, she might enjoy a month or so of anticipation.

The cynical will always put the worst interpretation on these matters. My report on Hollingsworth House was entirely favourable. Let me tell you why. That Noreen who was under reformation broke the conditions by her wanton public display and repeated insolence, I cannot doubt. That Mr Brown, having resolved upon chastisement, took the utmost care in examining Noreen's suitability for it is entirely to his credit. That the occasion was one of propriety and prudence is shown by the presence of the magistrates and their ladies. I was obliged to urge my patron to show every favour to the worthy Mr Brown.

There are those who will give way to evil gossip. Not I. I do not presume to put a sinister construction upon events. I visited Hollingsworth House as often as I could after this, even spending my own time there at certain weekends. So strongly did I feel that Mr Brown should be supported in his moral endeavours. During my frequent visits, I had a comfortable room which looked across the courtyard to the wing where Noreen, Sian, Maggie, and several of the other girls slept. They could not leave that suite of rooms. The locks ensured that. But safety required that they should be able to reach the remote washroom at the end of the long corridor, from which a fire alarm might be sounded.

There were many nights when the light burned in the washroom at the end of their long corridor from midnight until the lamp paled in the light of dawn. I recall myself that I once put a hand on the shade at seven in the morning and it was still warm! On those nights when the light burnt in the end washroom, Mr Brown was present in that place. I gather it was his custom to supervise certain maintenance work at night. A good deed done in secret, no doubt. On these nights, the guardian reported to me with a smile that Noreen was not in her cubicle at the time of checking. Her clothes remained except for one short singlet and her briefs, in which she customarily slept. It was certainly true that one would see the light in Noreen's cubicle go on briefly and then the light of the washroom go on and remain for several hours. Then that would go out and Noreen's window be briefly lit before Mr Brown and the overseer left. But this I regard as coincidence and of no significance. Once or twice I have seen the same coincidence in the case of Maggie or Sian.

Only the malicious will make anything of Noreen's absence in the distant tiled apartment, where a drink of water was to be had. Her prolonged absence from bed might seem unusual – but what possible reason would Mr Brown and his overseer have for detaining Noreen in that washroom, clad in her singlet and briefs, for several hours of the night? I made a point of being the first to enter that spacious and high-ceilinged room on several mornings. Judge the case for yourself. I do not think you would intervene on Noreen's behalf.

I found nothing ominous about the tall and heavy stool being left carelessly at the centre of the floor. A pair of Noreen's knickers, the stretch-briefs, lay discarded on the tiles. Merely her slovenliness to be sure. I daresay Mr Brown and his overseer must have worked there several hours, for fifteen or twenty of their cigarette-butts were trodden out on the floor and the air was still smoky. They had been clearing a drain, I think, for three or four garden canes lay splintered on the table. Such slim rods are useful for clearing the pipes. Two looped lengths of sash-cord, rather frayed and knotted at regular intervals, suggested that these industrious gentlemen had also been at make-do-and-mend with the windows.

Noreen, whose visit presumably interrupted their worthy labours, deserved little praise. The white threads caught on the rough top of the stool matched the damage to the belly of her singlet which I observed next day. She was sluttish enough to lie over furniture rather than walk round it to reach what she wanted. Low down on the forward legs of the stool, the varnish had been badly marked by a furious and energetic scratching of fingernails, which I know was her deliberate vandalism. One of her shoes lay in a corner, where she had kicked it with considerable energy. The tiles were marked by her shoes, whose tips were scuffed as if by Noreen rising on her toes to reach right over the stool. The legs of the stool itself were snubbed at their ends as if she had budged it on the tiles with her full weight upon it. Skin had scuffed on the stool legs as well. When I saw that Noreen's bare knees were slightly grazed, I thought she deserved it for pressing herself so roughly against the furniture. The violence of her energy I leave you to imagine!

I made my report accordingly, praising Mr Brown's industry and recommending that Noreen's insolence and brooding resentment required a lengthening of her probation by two more years. On the night after I informed Mr Brown that this request was granted, I noted that the washroom light went on at 11 pm and off at 3 am. The second night it burnt from 2 until 5 am. The third from midnight until 6.30. I heard not a single untoward sound from that distant lighted place, except those one hears at night in the country – what I took to be the screech owl and the muffled but urgent mewing of a female cat.

Sometimes it is taxing to make precise observations. The night after that, the light in Noreen's window went on briefly at 11 pm and the washroom lamp burned for an hour. Then all was dark. At 1 am the girl's light shone for a minute and the washroom light for two hours. And then again at 4.30, the brief light in her room and an hour of the washroom light. I believe I should have slept through it all. But the moment that washroom lamp showed, it brought such plaintive protests from some screech-bird or other that you would have thought murder was done three times that night, long and slow.

I concede that on many mornings there was no doubt that Noreen appeared subdued, or rather cautious and thoughtful. Where is the harm in that? She also walked carefully and cautiously, as if on an invisible tightrope and sat down in a somewhat strained and unnatural manner. One day, when the time came for her to shed the working-jeans in favour of a denim skirt she was, as usual, in the presence of two guardians, Mrs Fox and Miss Stuart. Of course she did not strip off her underwear in front of them but merely the top layer.

The hem at the seat of her white stretch-briefs arched up high and tight over each cheek of Noreen's backside, not entirely concealing her complete rear view. Miss Stuart smiled at what was now revealed as the nineteen-year-old girl turned her back, bending down to pick up the fallen jeans from the carpet.

Turning to Mrs Fox, Miss Stuart said that she now understood why Noreen had been so pensive and self-absorbed all day. Miss Stuart explained that she had had no idea that the exemplary discipline upon Noreen, ordered by the inspector, had been carried out the night before.

Mrs Fox smiled too, for Noreen heard every word that passed. She explained that the judicial ritual was not to take place for another fortnight. It would be more formal and rigorous than any that had so far marked the young trollop's education. On the previous night Noreen had received no more than a bottom-smack or two, given casually for her impertinence to her betters. The formal reckoning that lay in store was to be a prolonged session of far greater intensity. When Noreen was told the precise date and time, and what to expect, said Mrs Fox, several days and nights of waiting would follow. At night one would hear the restless and sleepless movements of this nineteen-year-old culprit, the gasps and sighs of her frantic self-pity at the appointment awaiting her. Noreen might be glimpsed lying there and looking over her shoulder, desperately examining her own backside in the mirror, as if to catch a final glimpse of it in its present unblemished pallor. In her sleepless apprehension there would be touchings, frettings and squirmings, until Noreen's bottom itched in her dread anticipation.

Mrs Fox reported all this while Noreen stood there aghast. And then the glances of amusement and satisfaction which Mrs Fox and Miss Stuart exchanged were turned upon the insolent girl. Noreen was unable to take her gaze from the smiles of the two women as the dismay in her contemptuous young face turned to panic.

I would not have you imagine that my life is taken up with Hollingsworth House, for it is only one of the almost twenty establishments under my supervision. I might as well have talked of Joanne or Heather, Lesley or Louise, Sharon or Vicky. But I have chosen to begin with Noreen, for that surely is a story to reassure you that you need not pity the plight of the travelling-man with his case and his portfolio of papers.

The camera as well as the pen is used in submitting reports to our patron. Copies of the photographic gems are also made for the inspector. As I sit here, a selection hangs framed before me, all the same subject. The first two would be the pride of any lensman. Full-plate studies, they present facial portraits in a variety of moods. There is Noreen with her defiant resolve in her firm young jaw and profile, contempt in the slant of her brown eyes. There is another similar, where she has shaken her fringe clear and is looking back over her shoulder, the lank dark hair just lapping her collar. Another shows her firm young face upside down, lank dark hair falling, as Noreen looks back fearfully at something in the room through the arch of her own bare legs.

There are a dozen portraits in all and you would marvel at the change of expression on the young trollop's face. Noreen looking back over her shoulder again, frantic at what is happening, knowing she can endure only a few seconds more of the minutes or hours to come. Noreen with mouth wide and wild, eyes brimming. What satisfaction this would have given her followers! Then Noreen, a big girl of nineteen, chastised and self-pitying as a well-smacked infant.

By no means all the close-ups are of her face. A dozen more are equally informative. Noreen's bottom immortalised as she bends to some labour or other, unaware of the interest taken in her. The full-plate shows the jeans drawn smooth as her skin over the swelling hemispheres of her buttocks. The tight line of Noreen's briefs just visible from between the back of her legs and up over each cheek. The central seam drawn deep and taut as a hawser between Noreen's bottom-cheeks, making this a most suggestive study of the seat of beauty-caught-bending. A swelling full-cheeked masterpiece, the more suggestive for the subject's unawareness of this public display.

Then a quartet of Noreen's backside bare over the stool, caught from a variety of angles. Several more full-plates display the cheeks of Noreen's bottom in every stage from pallid smoothness to the indescribable embroidery of a lesson taught by an expert teacher. The willow-pattern was never printed more fiercely nor with greater ingenuity than this.

A man cannot always find pretexts for a visit to Hollingsworth, least of all when there are so many other calls upon his time. But science has reduced the miles to naught, in one respect. To be sure, a travelling-man must sometimes spend a night in a rented and fly-spotted room, but the telephone by his bed may ring. He may pick it up and hear the voice of Mr Brown. Indeed, the benefit of the telephone is that when the caller places it carefully one may hear all that passes within ten feet of it. Mr Brown has a voice that is calm but clear.

'Pants on the chair, Noreen ... Now the sofa, if you please ... Over the scroll at the end ... Forward tightly ... Quite still for the inspection ... Ah, one must always start at the bottom, Noreen, with a girl of your sort ... Much rounder and fuller, if you please ... Now, smack on target, Noreen! ... And smack again! More tightly over! ... More bottom-swell, Noreen ... Such absurd modesty, when the door is safely bolted! ... No danger of interruptions, Noreen! ... A well-caned seat for you later on, Noreen ... Something to admire in your mirror tonight! ... I can feel your heart beat faster, Noreen! ... First I must cure my itchy palm ... Smarting from that bottom-smack, Noreen? ... One to make your cheeks clench! ... Another to make you jig! ... Anyone would think you'd sat bare-bottomed in spilt rouge-powder, Noreen! ... Keep properly still for the next one ... I'll have you looking like a hand-reared girl before I go to the cupboard for the switch ... Right where it smarts, Noreen! Quite still! ... Other bottom-cheek, Noreen! ... Does it feel like sitting on a wasps' nest? ... More of your bottom, Noreen!'

The travelling-man in his shabby room closes his eyes and listens contentedly for the next hour. Is it reality or illusion, the shifting of sofa-springs, the gasps from a determined and insolent girl of nineteen? The sounds of Noreen bottom-smacked, the printing of the fire-red willow-pattern on sturdy pale moon-cheeks, Noreen's arias and Mr Brown's commands – true or false? Others might hesitate but a travelling-man knows the truth. His smile conveys the answer as he listens. No prude is he. He may be well to the rear in ferreting out the secrets of Noreen, Sharon, Vicky, Joanne and their kind. But his audacity behind closed doors with young married women, or adolescent tomboys, would surely raise the temperature of the hot-blooded fly on the wall.

The printing of a vividly smarting willow-pattern seat for Noreen to contemplate ruefully in her bedroom hand-mirror is a long and intricate process. With the firm-cheeked spread of Noreen's backside over the sofa, it could hardly be otherwise. It would be unreasonable to expect Mr Brown to ignore an opportunity for adding an intimate leather cirlicue or a lurid stripe on the lower and falter swell of Noreen's bottom. The listener thoroughly enjoys the sounds in his lonely room, smiling at the thought of his next visit to teenage Sharon or mature Joanne or Noreen herself. He settles down and listens intently to the soprano wildness of a strapping young trollop.

I remember a weekend in Mr Brown's private rooms during March. The house had been in his family for generations, the walls hung with portraits of previous owners. After several inspections I noticed a photograph, a family group including servants, taken at the turn of the century. I scrutinised it, astonished to find a likeness of Noreen staring from the row of housemaids.

That attractive but plain, firm-featured look, the broad points of the cheekbones, a slant of the brown eyes, lank dark hair with its level fringe, must be common among young sluts of her sort. I confess my taste is modern. Victorian damsels are seductive in frills or petticoats. I prefer to see Noreen's bottom as she kneels on all fours to her labour, big-cheeked in that posture but not flabby, smoothly and tightly clad in Falmer jeans. On occasions of formal severity, I prefer only a plain white modern singlet, short enough to leave Noreen's backside and hips full bare when she bends over.

A modern slut has no inhibitions under correction. Stung to fury, Noreen will curse her chastiser and the onlookers as 'bastards' and use expletives one prefers not to record. It is delightful to see her begin like that, incurring extensive extra discipline. More delightful still when, Noreen's bottom well-patterned but the drama still only beginning, there is pleading and promising, turning soon to wild shrillness and unimaginable vulgarities. Noreen, the modern girl, offers extreme possibilities to a disciplinarian!

I could not resist asking Mr Brown about the photograph. He smiled and inquired if I believed in ghosts. I do not, and said so. But I agreed when he said that one might believe in family likenesses. Noreen was descended from the vision in the sepia photograph, he told me, another female bumpkin who had worked at Hollingsworth House in her day and tasted similar corrections.

He was about to tell me more. From the way the smile played on his lips, I guessed what it was before he spoke. He knew, of course, of my passionate interest in Noreen. He had seen the full-plate photographs of her face in varying moods, the dozen camera-portraits of Noreen's bottom in varying conditions and postures, which grace my study wall. He knew my eagerness to see her over trestle or stool. There can be magic in a name, he said. I had picked out not only a likeness – there were several of those – but the very girl of the past who had a similar character and whose name was also Noreen.

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Happy New Year!